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21	Zur Geschichtlichkeit des Theater des Absurden : Versuch e. materialistischen Analyse von Dramen Becketts u. Pinters unter Berücks. ihrer Entstehungsbedingungen, Rezeption u. Wirkungsgeschichte. Damian, Michael. January 1977 (has links) Zugl.: Frankfurt (Main), University, Diss., 1976.
22	The battleground : language, character and society in the plays of Pinter Spink, Philip T. January 1978 (has links) No description available. Pinter, Harold, 1930-2008 -- Language.
23	Théâtres d'ondes : les pièces radiophoniques de Beckett, Tardieu et Pinter / Carpentier, Aline. January 1900 (has links) Texte remanié de: Mémoire de maîtrise--Paris 10. / Bibliogr. p. 137-142.
24	The importance of the female in the plays of Samuel Beckett, Harold Pinter, and Edward Albee. Fedor, Joan Roberta. January 1976 (has links) Thesis (Ph. D.)--University of Washington. / Bibliography: l. 150-153.
25	Modern existential philosophy and the work of Beckett, Ionesco, Genet and Pinter / Dobrez, L. A. C. January 1973 (has links) (PDF) Thesis (Ph.D.) -- University of Adelaide, Dept. of English, 1974.
26	Das Spiel mit der Illusion in 'The French lieutenant's woman' : ein Vergleich von Roman, Film und Drehbuch / Behrens, Volker. January 1994 (has links) Diss.--Kiel--Univ., 1992. / Bibliogr. p. 203-229.
27	Ironic theatre techniques of irony in the plays of Samuel Beckett, Eugene Ionesco, Harold Pinter and Jean Genet. Frisch, Jack Eugene, January 1965 (has links) Thesis (Ph. D.)--University of Wisconsin, 1965. / Typescript. eContent provider-neutral record in process. Description based on print version record. Bibliography: leaves 231-252.
28	Shadows with Substance: Performing the Characters of Harold Pinter Beckers, Teresa E. 05 1900 (has links) This thesis considers first, the existence of a relatively new kind of characterization in the plays of Harold Pinter, and second, the need for the actor who performs Pinter to seek a new mode of acting. The purpose of the study is to identify the special problems or tasks which are thus imposed on the actor who plays a Pinter character. An examination of Pinter's dramaturgy reveals an emphasis on character relationships and a combination of the three different styles of characterization defined by Lorenz Kjerbuhl-Petersen: the type, the individual, and the shadow. This study concludes that the Pinter actor must simultaneously perceive a complex psyche in what seems a common human type, create an individualized concept of personality although information and behavior are misleading, and allow the actor's personality to color and expand that of the character. Harold Pinter Pinter, Harold 1930-2008 -- Characters. Acting. Pinter characters acting requirements
29	The survival of love in Pinter's drama of hostility. January 1996 (has links) by Wendy Wai Kui Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1996. / Includes bibliographical references (leaves 127-131). / Introduction --- p.1 / Chapter Chapter 1 --- "Dominance and Destruction in The Room, A Slight Ache and A Night Out" --- p.5 / Chapter Chapter 2 --- "Married Love and Reality in The Collection, The Lover, Landscape and Betrayal" --- p.22 / Chapter Chapter 3 --- "The Human Connection and Its Limits in The Caretaker, The Homecoming and Family Voices" --- p.56 / Chapter Chapter 4 --- "The End Of The Road in One For The Road, Mountain Language and Party Time" --- p.85 / Chapter Chapter 5 --- Love and Death Wedded in Moonlight --- p.110 / Conclusion --- p.122 / Works Cited --- p.124 / Bibliography --- p.127 Pinter, Harold , 1930-2008 Families in literature Love in literature English drama--History and criticism
30	Modern existential philosophy and the work of Beckett, Ionesco, Genet and Pinter Dobrez, L. A. C. January 1973 (has links) (PDF) No description available. Beckett, Samuel, 1906- Ionesco, Eugene Genet, Jean, 1910- Pinter, Harold Existentialism

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