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Zur Geschichtlichkeit des Theater des Absurden : Versuch e. materialistischen Analyse von Dramen Becketts u. Pinters unter Berücks. ihrer Entstehungsbedingungen, Rezeption u. Wirkungsgeschichte.Damian, Michael. January 1977 (has links)
Zugl.: Frankfurt (Main), University, Diss., 1976.
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The battleground : language, character and society in the plays of PinterSpink, Philip T. January 1978 (has links)
No description available.
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Théâtres d'ondes : les pièces radiophoniques de Beckett, Tardieu et Pinter /Carpentier, Aline. January 1900 (has links)
Texte remanié de: Mémoire de maîtrise--Paris 10. / Bibliogr. p. 137-142.
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The importance of the female in the plays of Samuel Beckett, Harold Pinter, and Edward Albee.Fedor, Joan Roberta. January 1976 (has links)
Thesis (Ph. D.)--University of Washington. / Bibliography: l. 150-153.
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Modern existential philosophy and the work of Beckett, Ionesco, Genet and Pinter /Dobrez, L. A. C. January 1973 (has links) (PDF)
Thesis (Ph.D.) -- University of Adelaide, Dept. of English, 1974.
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Das Spiel mit der Illusion in 'The French lieutenant's woman' : ein Vergleich von Roman, Film und Drehbuch /Behrens, Volker. January 1994 (has links)
Diss.--Kiel--Univ., 1992. / Bibliogr. p. 203-229.
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Ironic theatre techniques of irony in the plays of Samuel Beckett, Eugene Ionesco, Harold Pinter and Jean Genet.Frisch, Jack Eugene, January 1965 (has links)
Thesis (Ph. D.)--University of Wisconsin, 1965. / Typescript. eContent provider-neutral record in process. Description based on print version record. Bibliography: leaves 231-252.
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Shadows with Substance: Performing the Characters of Harold PinterBeckers, Teresa E. 05 1900 (has links)
This thesis considers first, the existence of a relatively new kind of characterization in the plays of Harold Pinter, and second, the need for the actor who performs Pinter to seek a new mode of acting. The purpose of the study is to identify the special problems or tasks which are thus imposed on the actor who plays a Pinter character. An examination of Pinter's dramaturgy reveals an emphasis on character relationships and a combination of the three different styles of characterization defined by Lorenz Kjerbuhl-Petersen: the type, the individual, and the shadow. This study concludes that the Pinter actor must simultaneously perceive a complex psyche in what seems a common human type, create an individualized concept of personality although information and behavior are misleading, and allow the actor's personality to color and expand that of the character.
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The survival of love in Pinter's drama of hostility.January 1996 (has links)
by Wendy Wai Kui Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1996. / Includes bibliographical references (leaves 127-131). / Introduction --- p.1 / Chapter Chapter 1 --- "Dominance and Destruction in The Room, A Slight Ache and A Night Out" --- p.5 / Chapter Chapter 2 --- "Married Love and Reality in The Collection, The Lover, Landscape and Betrayal" --- p.22 / Chapter Chapter 3 --- "The Human Connection and Its Limits in The Caretaker, The Homecoming and Family Voices" --- p.56 / Chapter Chapter 4 --- "The End Of The Road in One For The Road, Mountain Language and Party Time" --- p.85 / Chapter Chapter 5 --- Love and Death Wedded in Moonlight --- p.110 / Conclusion --- p.122 / Works Cited --- p.124 / Bibliography --- p.127
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Modern existential philosophy and the work of Beckett, Ionesco, Genet and PinterDobrez, L. A. C. January 1973 (has links) (PDF)
No description available.
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