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L'"umorismo" di Pirandello : ragioni intra- e intertestuali : appendice con le varianti tra la prima e la seconda edizione dell'opera /Casella, Paola. January 2002 (has links)
Thèse--Faculté des lettres et sciences humaines--Neuchâtel--Université, 2002. / Bibliogr. p. 295-311. Index.
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Il doppio nella tematica di PirandelloDi Iorio, Eny V., January 2009 (has links)
Thesis (Ph. D.)--Rutgers University, 2009. / "Graduate Program in Italian." Includes bibliographical references (p. 301-312).
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A study of major themes in selected works of Pirandello and Beckett /Raptou, Elly Helen Zoganas. January 1964 (has links)
Thesis (M.A.)--Ohio State University, 1964. / Includes bibliographical references (leaves 85-90). Available online via OhioLINK's ETD Center.
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Le origini del teatro di Pirandello.Haim, Rachel. January 1969 (has links)
No description available.
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Zur Technik der Dialogformeln bei PirandelloBehme, Günter, January 1974 (has links)
Thesis--Münster. / At head of title: Romanische Philologie. Includes bibliographical references (p. ii-iii).
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La Condition féminine dans l'oeuvre narrative et théâtrale de Luigi Pirandello /Olive-Lalanne, Annie. Gardair, Jean-Michel, January 1995 (has links)
Th. 3e cycle--Italien--Paris 4, 1995. / contient : Les femmes écrivains en Italie : 1870-1920 ordres et libertés : Colloque international, 26-27 mai 1994 / organisé par le Centre de recherche sur L'Italie moderne et contemporaine. Bibliogr. p. 328-341.
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Les hommes ne pleurent pas, et Illuminations : de Pirandello vers KaosDfouni, Ralph January 1999 (has links) (PDF)
No description available.
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A translation of Luigi Pirandello's critical essay L'umorismo : an important work done by a major Italiam author, never before translated into English / Cover title: Luigi Pirandello's essay L'umorismoNovel, Teresa 03 June 2011 (has links)
There is no abstract available for this thesis.
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Les hommes ne pleurent pas, et, Illuminations : de Pirandello vers Kaos / IlluminationsDfouni, Ralph. January 1998 (has links)
Men don't cry (creation). In a neighborhood of a large North American city, a loaf of rye bread brings back adolescent memories to a middle-aged man. Bill remembers his College friends, Nick, Jack and Alec. They will all pass through the same Diner, the same evening, 20 years later without recognizing each other. Those of them who will cross paths will die that same night. It's a story about chance. It's a free cinematographic adaptation of four short stories from three different authors: The Rye Bread by Ray Bradbury, Continuite des parcs and N'accusez personne by Julio Cortazar as well as Fat by Raymond Carver. / Illuminations: From Pirandello toward Kaos ( criticism). When the filmmakers the brothers Taviani decide to undertake their adaptation of Luigi Pirandello's four short stories for the screen, they choose Kaos for the title of their film. Through the study of two of the four adapted short stories, this thesis tries to demonstrate that the adaptation of a literary work or a written text to a filmic text necessarily passes through a chaos that separates the two very different languages. The interpretative work consists of passing through this same chaos using different writing and mise en scene techniques. The aim of this short study is to dissect the links that exist between the two very distinct entities, the written text and the filmic text, through a magisterial and concrete example.
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Mask and mood in Don Quixote and the novels of Luigi PirandelloEdelstein, Marcia Abbey, January 1970 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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