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Shakespeare on the verge rhetoric, tragedy, and the paradox of place /Eskew, Douglas Wayne, January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.
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On location the poetics of place in modern American poetry /Manecke, Keith Gordon. January 2004 (has links)
Thesis (Ph. D.)--Ohio State University, 2004. / Document formatted into pages; contains 236 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2008 Dec. 1.
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Narratologie des RaumesDennerlein, Katrin. January 2009 (has links)
Thesis (doctoral) - Technische Universität, Darmstadt, 2008. / Includes bibliographical references, glossary and index.
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World-traveling home notes on an exploration of Selected poems by Rita Dove /Civil, Gabrielle. January 1994 (has links)
Thesis (Honors)--University of Michigan, Ann Arbor, 1994. / Includes bibliographical references.
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The places of contemporary American poetry /McCurry, Sara Kathleen, January 2005 (has links)
Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 260-266). Also available for download via the World Wide Web; free to University of Oregon users.
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Creative writing piece; reaction time, and critical essay; wide open roads, landscape, place and belonging in Australian outback narratives /McCarthy, Brigid. January 2009 (has links)
Thesis (MA)(CrWrtg)--University of Melbourne, School of Culture and Communication, Faculty of Arts, 2009. / Typescript. Includes bibliographical references (p. 85-88)
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World-traveling home notes on an exploration of Selected poems by Rita Dove /Civil, Gabrielle. January 1994 (has links)
Thesis (Honors)--University of Michigan, Ann Arbor, 1994. / Includes bibliographical references.
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"A Marvelously Big Stone": Geological Objects and Mythological Experience in the Writing of Charles OlsonCarpenter, Brian L. January 2005 (has links) (PDF)
No description available.
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Re-imagining an ethic of place : Terry Tempest Williams's new language for nature and community /Beebee, Fay. January 2005 (has links)
Thesis (M.A.)--University of Nevada, Reno, 2005. / "May, 2005." Includes bibliographical references (leaves 109-113). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
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Shakespeare on the verge : rhetoric, tragedy, and the paradox of placeEskew, Douglas Wayne, 1976- 11 October 2012 (has links)
"Shakespeare on the Verge: Rhetoric, Tragedy, and the Paradox of Place" describes the ideological geographies of Renaissance England and reads the ways "place" was rhetorically constructed in two of Shakespeare's late tragedies. By ideological geographies I mean the way in which Renaissance men and women understood spatially the constitution of their world--their spatialized "habits of thought." These habits were then undergoing a change from seeing the world as a vertical hierarchy of interrelated and dependent places to seeing it as a horizontal array of discrete places related to one another in a linear manner. Working from the theories of Agamben, Burke, Foucault, and Ong, I argue that Shakespeare constructs a paradox of place in which hierarchically elevated places subsume inferior ones and thereby double them. The paradigmatic example of this phenomenon is the king's mobile court, known at the time as the "Verge," which subsumed the places, the actual palaces and castles, of the king's subjects as it progressed across the kingdom. This phenomenon is paradoxical because, although the king's superior place subsumed those below it, it was always dependent on those inferior places, both logically (there can be no king without his subjects) and materially (as the king traveled, his household relied on the provisions supplied by subjects along the way). This paradox leads Shakespeare to double certain dramatic characters and their environments. It also leads him to set up oppositions between places constructed through violent means and places constructed through the "violence" of rhetoric. In my chapter on King Lear (1605), I argue that Edmund should be read as Lear's double, a doubling made manifest especially in the characters' stage movements as they effectively change places with one another. In Coriolanus (1608), I argue that its hero rejects his double, the Plebeian class of Rome, but that he eventually attempts to reconcile with them in large measure by changing his use of rhetoric. In my reading of these plays, as in my description of Renaissance ideological geographies, I aim to revise the way people look at place on the Shakespearean stage and at the complex interplay in them between physical violence and rhetorical action. / text
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