• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 41
  • 20
  • 9
  • 9
  • 9
  • 9
  • 9
  • 9
  • 6
  • 5
  • 4
  • 4
  • 3
  • 3
  • 2
  • Tagged with
  • 134
  • 134
  • 134
  • 103
  • 93
  • 42
  • 38
  • 27
  • 26
  • 22
  • 12
  • 11
  • 10
  • 10
  • 9
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

The jing and the wu

Chan, Wai-ying., 陳惠英. January 2001 (has links)
published_or_final_version / Chinese / Doctoral / Doctor of Philosophy
12

Dialectic of corporeality and poetical imagination

Shi, Yan, 史言 January 2009 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
13

Poetics and poetry of Jing school = 京派詩歌理論及創作 / Poetics and poetry of Jing school = Jing pai shi ge li lun ji chuang zuo

方星霞, Fong, Sing-ha January 2012 (has links)
The thesis was an in-depth study of the poetics and poetry of Jing School京派in modern Chinese literature. Jing School was a loosely formed but comprehensive and influential literary school emerged in Beijing in the early 1930s. It was an all-round literary school, which produced almost all kinds of literary works, including literary critic, fiction, prose, drama and poetry. However, only few studies focused on its achievements in the field of poetry. This study was undertaken to provide some insights into the poetic nature of Jing School and its contributions to the development of modern Chinese poetry. Unlike the Leftist and Right-wing writers in the same period, poets of Jing School persisted in composing pure poetry, which was advocated by the French symbolists. However, it was also the main aesthetic feature of traditional Chinese poetry, especially the poetry in the late Tang period. In this way, poets of Jing School successfully integrated the modern techniques and ideas employed in the western symbolist poetry, such as symbols, metaphors and synaesthesia, with those traditional artistic conceptions used in classical Chinese poetry. As a result, their works stayed away from political topics and emphasized on literary techniques. Together with poetry of other literary schools, they thereby created the golden age of modern Chinese poetry in the mid-1930s. To fully explicate the poetic nature of Jing School, the first chapter of the thesis reconstructed the background, the memberships as well as the literary pursuits of Jing School by analysing their publications on journals and supplements of newspapers that edited by Jing School members. The literary salons held by inspiring leaders of Jing School, Zhu Guangqian 朱光潛 and Lin Huiyin 林徽因 had also been re-examined. The following two chapters looked into the characteristics and significances of poetry and poetics of Jing School respectively. Poems of Feiming 廢名 and Bian Zhilin 卞之琳, poetics of Zhu Guangqian, Liang Zongdai 梁宗岱, Feiming and Lin Gen 林庚 have been taken as examples for further exploration of the aesthetic pursuits of Jing School. The last chapter proceeded to examine the fate of Jing School during and after the Anti-Japanese War (1937-1945). During the war time, some poets of Jing School shifted their lyrical writing style to realistic and political writing style. Among them, He Qifang 何其芳 was the most prominent figure and his case has been studied thoroughly in this chapter. Besides, the decline of the aesthetic pursuits of Jing School has also been reflected in the failure of resuming the publication of Wenxue Zazhi 文學雜誌, the most important journal of Jing School, after the victory. In short, the most distinguished feature of the poetics and poetry of Jing School was the flawless integration of the essence of western modernity and that of Chinese tradition. The significance of the integration and the controversial issues aroused by this aesthetic pursuit have been scrutinized and summarized in the concluding chapter. / published_or_final_version / Chinese / Doctoral / Doctor of Philosophy
14

"Language is not a vague province": mapping and twentieth-century American poetry

Newmann, Alba Rebecca 28 August 2008 (has links)
Not available / text
15

Post-war English poetry : a survey of some modern tendencies

Chakravarty, A. C. January 1936 (has links)
No description available.
16

The Nanshe group and its poetics in the late Qing and early Republican periods

朱少璋, Zhu, Shaozhang. January 1994 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
17

The Crescent School in twentieth century Chinese poetry

Wong, Wang-chi, 王宏志 January 1981 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
18

La modernité poétique des femmes chinoises : écriture et institution

Park, Christopher, 1966- January 1992 (has links)
Women's poetic writing in modern China, its context and position in literary history as well as its ideological and social constitution are at the root of this thesis' subject. Having stated my intellectual and personal limitations regarding its writing as an introduction, examples of contemporary women's poetic text will serve to broaden its conclusion. My analysis begins with a reflection on its own terminology in philosophical debate, followed by a study of the modernist background that from 1977 leads to what is termed as neo-modernity in literature. A paradox in the women's avant-garde of antipatriarchal antagonism against the literary institution will be illustrated by examples of critical text on women's poetic production. My point is to address this paradox with the identification of false values placed from the very beginnings of poetic modernity on women's poetry within the avant-garde.
19

Carmen y Lola : "un puro refugio de la poesia española", documento de una epoca y antologia de una generacion

Bolaños, Patricia January 1990 (has links)
This thesis attempts to show how the little magazine Carmen (1927-28), and its militant supplement, Lola, together provide evidence of the innovative work of a newly emergent generation of poets in the 1920s. An historical overview of literary events in the decade is given in the first chapter in order to situate the more specific comparisons made in the second chapter with other Spanish periodical reviews which were both precursors and contemporary publications. Chapter three and four are dedicated to an in-depth analysis of the contents of Carmen and Lola. By focusing exclusively upon these somewhat neglected reviews, the intention here is to prove that, as their founding editor, Gerardo Diego, proposed, they are both an important source of documentary history concerning the Generation of 1927 and a fascinating anthology of its poetry.
20

The poetry of pain : trauma, madness and suffering in post-World War II American poetry

Travis, Isabelle January 2011 (has links)
No description available.

Page generated in 0.0736 seconds