Made available in DSpace on 2014-12-17T15:07:13Z (GMT). No. of bitstreams: 1 JoaoMPP_TESE.pdf: 951400 bytes, checksum: 58eeb7e08dd63db5f96c85c8b7ee790a (MD5) Previous issue date: 2011-04-01 / Within the poetic scenario of Rio Grande do Norte the publication of Livro de Poemas de Jorge Fernandes, in 2007, marks, in the imagery of the Potiguar community of poetry readers, producers and critics, the beginning of the social circulation of an inventive ethos associated with the poet Jorge Fernandes de Oliveira (1887-1953). Regarding the event mentioned earlier as a point of reference, this research investigates the construction of such ethos based on the counterpoint between the poet s individual stylistic choices and the stylistic options that prevailed in the lyric production of the Twenties in the 20th Century. The corpus comprises poetic texts (by the poet under discussion and by other poets who were, then, regarded as icons of the poetry of Rio Grande do Norte) and texts representative of local literary criticism (produced both during the Twenties and in other decades of the last century). Support to this analysis is grounded in Mikhail Bakhtin s theory of the utterance (mainly regarding style) and in Dominique Maingueneau s theory of the utterance (mainly regarding ethos). During the course of this investigation, the research has outlined an inventory of the prevailing individual stylistic choices of Jorge Fernandes de Oliveira and the reasons why such choices point out towards the inventive ethos associated with the poet. / No cen?rio po?tico norte-rio-grandense, a publica??o do Livro de Poemas de Jorge Fernandes, em 1927, assinala, no imagin?rio da comunidade potiguar leitora, produtora e cr?tica de poesia, o in?cio da circula??o social de um ethos inventivo vinculado ao poeta Jorge Fernandes de Oliveira (1887-1953). Tomando como refer?ncia o evento aludido, a pesquisa investiga a constru??o desse ethos a partir do contraponto entre as escolhas estil?sticas individuais do poeta e as escolhas estil?sticas dominantes na produ??o l?rica local dos anos 20 do s?culo XX. O corpus constitui-se de textos po?ticos (tanto do poeta em foco quanto de outros poetas tidos, ? ?poca, como ?cones da poesia norte-rio-grandense) e de textos representativos da cr?tica liter?ria local (tanto produzidos nos anos 20 quanto em outras d?cadas do s?culo passado). A sustenta??o da an?lise ancora-se na teoria enunciativa de Mikhail Bakhtin (sobretudo no que se refere a estilo) e na teoria enunciativa de Dominique Maingueneau (sobretudo no que se refere a ethos). Nesse percurso investigativo, a pesquisa delineia um invent?rio das escolhas estil?sticas individuais dominantes de Jorge Fernandes de Oliveira e os motivos de essas escolhas sinalizarem o ethos inventivo associado ao poeta.