Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-01-15T21:10:48Z No. of bitstreams: 1 IsabelaHelenaRodriguesCoelho_DISSERT.pdf: 1042444 bytes, checksum: 3d68a0f390e10202bd16bb9b5fa17e70 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-01-17T11:12:12Z (GMT) No. of bitstreams: 1 IsabelaHelenaRodriguesCoelho_DISSERT.pdf: 1042444 bytes, checksum: 3d68a0f390e10202bd16bb9b5fa17e70 (MD5) / Made available in DSpace on 2018-01-17T11:12:13Z (GMT). No. of bitstreams: 1 IsabelaHelenaRodriguesCoelho_DISSERT.pdf: 1042444 bytes, checksum: 3d68a0f390e10202bd16bb9b5fa17e70 (MD5) Previous issue date: 2017-07-25 / Considerando a representa??o espacial como ato pol?tico de interfer?ncia, dinamiza??o, provoca??o e desestabiliza??o, neste trabalho procuraremos investigar na obra O vendedor de passados (2004), de Jos? Eduardo Agualusa, a presen?a de vetores espaciais por diferentes abordagens. Como introduz Brand?o (2013), o conceito apresenta uma adaptabilidade particular na teoria liter?ria, por isso objetivamos tra?ar um recorte que envolva a an?lise fenomenol?gica (BACHELARD, 2008), a semi?tica (BARTHES, 2003a), a da geografia humanista (HOLZER, 2008), entre outras. Como ponto rotacional prenhe de elucubra??es sobre o espa?o, tamb?m investigamos uma conversa??o entre outras formas de arte, como a fotografia (BARTHES, 2012). Nessa t?nica, a literatura possibilita o que Jacques Ranci?re denomina ?partilha do sens?vel? (RANCI?RE, 2005): a refra??o das sensibilidades que, pela diversidade, fundam uma est?tica democr?tica, pois estes espa?os perfuram o ?lugar-comum? fazendo circular heterogeneidades inerentes ?s rela??es sociais, ou seja, s?o espa?o de ressignifica??o (FOUCAULT, 2009). Portanto, enquanto a escrita liter?ria provoca fissuras pelo poder alqu?mico, as figura??es espaciais questionam territ?rios simb?licos e identit?rios no romance. / Considering the spatial representation emerges like a politic act of interference, dynamisation, provocation and destabilization, in the present work we pursue investigate in the book O vendedor de passados (2004), from Jos? Eduardo Agualusa, the presence of spatial vectors in different approaches. As Brand?o introduce (2013), the concept presents a particular adaptability in literary theory, therefore we aim to draw a section that involves a phenomenological analysis, (BACHELARD, 2008), the semiotic (BARTHES, 2003a), the human geography (HOLZER, 2008), among others. As a rotational point filled with lucubration about the space, we also investigate a conversation with others forms of art, like the photography (BARTHES, 2012). In this substance, the literature will possibility Jacques Ranci?re?s ?Distribution of the Sensible? (RANCI?RE, 2005): the refraction of sensibilities that, through diversity, establish a democratic aesthetic in unity, because this spaces puncture the commonplace making circulate the heterogeneities inherent to social relationships, in other words, they are spaces of resignification (FOUCAULT, 1984). Therefore, while the literary writing provokes fissures by the alchemic power, the space figurations questioning symbolic and identity territories.