Thesis--Columbia University. / Bibliography: p. [193]-199.

Thesis (D.M.A.)--University of Texas at Austin, 1998. / Vita. Includes bibliographical references (leaves 227-234). Available also in a digital version from Dissertation Abstracts.

Thesis--Cornell University. / Vita. Includes bibliographical references (p. 183-190).

Thesis (M.A.)--University of Hong Kong, 1978. / Also available in print.

Habilitationsschrift--Mainz. / Bibliography: p. [222]-231.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1971. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 274-289) and index.

The thesis explores Mario Vargas Llosa's Historia de Mayta in light of recent studies of Latin America's new historical novel (Menton, Juan-Navarro) and in connection with contemporary literary theory (Waugh, Stonehill) and new trends in the philosophy of history (White, Foucault). In my study, I focus on three major levels of analysis: 1) significant events in Peruvian history to which the novel alludes; 2) biographical elements that strongly evoke the lives of Ernesto "Che" Guevara, Jacinto Rentería, and Vargas Llosa himself; and 3) the self-referential devices that aim at questioning the validity of empirical analysis in both fiction and history. The allegorical dimension of the novel's view of modern Peruvian politics, its biographical component, and the self-consciousness of its historiographic approach make of Historia de Mayta both a metahistory of Perú and a biographical metafiction. The thesis ultimately reveals the problematic borderline between fiction and reality, the novel and history.

The purpose of this dissertation is to demonstrate that the societal changes that took place in Cuba during the last decade of the twentieth century, period know as The Special Period in Times of Peace, created the necessary conditions for the development of a new type of narrative. The first chapter constitutes an historical overview of the role of the State in the literary and artistic creation in revolutionary Cuba. The second, third, and fourth chapters analyze the major characteristics in the narrative of this period, creating a contrast with previous decades of the revolutionary era. With such purpose the study is divided into three categories: language, themes, and ideology. The usage of language as a means of transgression, the recurrence of the topic of need, and the rebirth of critical thinking, represent the principal characteristics of this literary period, and confirm the main idea of this dissertation: the fall of the ideal of the New Man. The final chapter summarizes the findings of the study and poses a question: If the ideal of the New Man has ceased to exist, what has replaced it? The question of whether or not a new ideal has replaced that of the New Man, and what that ideal might be, constitutes a steppingstone for further studies in the area of Cuban narrative of the Special Period and beyond.

Lino Novas Calvo (1903-1983) is by many considered the best Cuban short story writer. Critics acknowledge his major contribution to the modernization of narrative prose in that country. With Cayo Canas and La Luna Nona, the short story achieved a language of its own, a precise technique, an acute outlook and an awareness of its own individual art form. Nevertheless, his novels and short stories have not received the recognition and the distribution they deserve, in part because his books have not been reprinted. The purpose of this dissertation is to analyze the innovative character of Novas Calvo's work. From the starting point of traditional discourse, he gathered together the main tendencies that until then co-existed in Cuban literature (realism, social criticism, criollismo, Afro Cuban themes and cosmopolitism) and renewed them with modem contributions, mainly assimilated from American authors writing between the two World Wars. He based himself in a concept of realism that does not limit itself to recreating reality and that eludes language localisms and the portrayal of environments. He brought Cuban characters and themes to his stories which at the same gave them a universal Dimension. Novas Calvo participated in debates which amounted to a rupture between tradition and localism and brought universality to the Cuban short story. This achieved the aesthetic syncretism imposed by modernity.

The sciences, in particular the field of medicine, have had an important role in society since its significance has been recorded in historical texts. Due to this fact, the future of medicine depends on, to a certain extent, the knowledge that has been collected in the past from the previously catalogued records. In addition to these records, literature from a specific time period could be useful to study and analyze how opinions have been formulated throughout history, how scientific accomplishments were shared, and what influences impacted society. This study will first explore panoramically the historical context of medicine in Spain from the Medieval through the Golden Age, which is otherwise known as the Early Modern era. Once this foundation has been well-established, this study will evaluate how the authors of each of these specific literary periods used scientific and medical aspects in their literature to reflect the influence and importance of the sciences on the beliefs, opinions, and culture of the individuals and their communities at that time. To accomplish this objective, two relevant literary texts were selected, El conde Lucanor by Don Juan Manuel and Don Quijote de la Mancha by Miguel de Cervantes y Saavedra, so that their characters, plot, and discourse can be analyzed to provide essential information about the role and relationship between medicine, religion, and society in early modern Spanish peninsular literature.