The purpose of this essay is to examine what power relations are created or allowed by the structures of two very different development aid organizations. One organization is a Peruvian organization called ASDE, that recieves financial support from other organizations with different nationalities. The other is CARE Peru which is a Peruvian department of the international organization CARE International. It has become increasingly important in the global aid business to emphasize a partnership on equal premises and make sure that the donors do not have too much control over the aid given. This ideology does not only apply to the administrative level of aid but can also be applied to the relationship between the organization workers in the project area and the target group participants. The bottom-up structure ideal can be seen both as a goal in itself but also as a means to achieve efficiency and sustainability in the aid given. The two organizations compared are of very different structure, allowing me to examine and compare the power relations that the structures carry within. The empirical data was collected during a three months field study in Peru in the spring semester of 2010. The results of the study show that the two organizations have power relations embedded in the structures over which they in some cases have and in others do not have power. In addition to systems within the global aid business over which the organizations have no power, the power relations between organization employees and target group participants, as well as the level of participation of target group participants, are dependent on the purpose and strategies of the organization. These in turn depend on the structure of the organization. In this way the bigger structures of the organizations affect the level of participation and ownership on a local level. The study shows that it is more probable to achieve an equal relationship between workers and target group being a smaller, locally created organization. However, it also puts light on the difficulties created by global systems of development aid as well as the practical difficulties, when striving towards the ideals of equality, local ownership and participation.

This thesis studies two novels: The Buddha of Suburbia by Hanif Kureishi and The Namesake by Jhumpa Lahiri. There are characters with hybrid qualities in each novel and they tend to use or encouraged to use mimicry to find their identities and establish themselves in the cultures they live. Hence, the result of mimicry is ambivalence on both sides, the colonizer and the colonized. The first chapter is dedicated to explaining the theory of hybridity based on the ideas of leading theoreticians like, Homi Bhabha, Robert Young and others. The situation, problems and the coping strategies of character are studied in detail, in individual sections. The final chapter is dedicated to the comparison of the hybrid situations of the second generation male and female characters. Eventually it is seen that all hybrid characters, especially the second generation immigrants use mimicry to create their own &lsquo / Third Space&rsquo / and find their own voices to exist in their environment.

The purpose of this study of Anglo-Egyptian writer Ahdaf Soueif’s two novels, In the Eye of the Sun (1999), first published in 1992, and The Map of Love (2000), first published in 1999, is to examine how they are arenas for hybrid politics in the post-colonial Egyptian context and the Arab diasporic context. This thesis examines how Soueif deals with residual colonial logics by using Post-colonial theories of transculturation. These theories reveal, through an analysis of Soueif’s use of Pharaonicism and her depiction of social and religious divides, that Soueif sometimes legitimizes and sometimes contests the results of transculturation by using products of this very process of transculturation. In the diasporic context, Soueif’s work deterritorializes these hybrid politics of legitimation and contestation by collapsing disparate temporalities and emphasizing continuity between them. To do this she deterritorializes and reterritorializes Pharaonicism, as well as Western literary tradition, the English language and political activism, to emphasize the cultural affinities between Egyptians/Arabs and Western culture. In this manner, she composes an integration strategy designed to facilitate her incorporation into her Western society of settlement, Great-Britain. This allows her to build a political platform from which she can contest and influence politics in her homeland, her society of settlement and the shape of Western cultural and political hegemony on a global scale. She is consequently able to transcend residual colonial logics through the very hybrid politics that they have created. Moreover, in the process, through the political agency that she exercises in her writing and activism, she builds a deterritorialized diasporic identity based on integration into many spheres of belonging that problematizes the victim model of diaspora in Diaspora studies.

My dissertation is a critical ethnography of grassroots feminist agencies and immigrant organizations involved in the governance of gender violence in Toronto, Ontario. Along with examining the agencies operating on the outskirts of the law, I also observe the organizations that contract directly with the provincial government to counsel abusers prosecuted through the city’s specialized domestic violence courts. Drawing on the methodological and theoretical insights of socio-legal studies, postcolonial feminism, and governmentality scholarship, my research explores the governance of domestic violence through the community. Specifically, I examine how the voluntary sector performs the state’s work of prosecuting domestic violence, punishing offenders and building citizens. My research reveals the significant influence that community organizations exert on the prosecution of gender violence and in defining the conditions of punishment for offenders. Through court observation of Toronto’s domestic violence plea court, I show how grassroots administrative workers transform into hybrids of the prosecutor and defense within governance networks. In addition, based on interviews with service providers delivering counseling to offenders, I document how non-profit organizational habits add distinctive flavors to the administration of punishment, materializing in governing regimes that emphasize care in some contexts and discipline in others. Finally, I also explore the dual constructions of immigrant counselors as both the experts and the “others” to the nation with regards to gender violence. In contrast to assumptions of ignorance amongst the immigrant “other” in the liberal imaginary, my findings indicate that the notion of women’s empowerment is nothing new or unfamiliar within Toronto’s diasporic communities; several of the immigrant anti-violence experts involved in this research credit their politicization and training “back home” as foundational to their involvement in feminist and the anti-violence movement. These findings challenge liberal assumptions of the East as a space devoid of the cultural material of women’s empowerment, which form the backbone of Western performances of modernity.

<p>This dissertation investigates colonial and postcolonial practices of cultural representations in Namibia. The state sponsored Annual National Culture Festival in Namibia was studied with a specific focus on the Kavango Region in northeastern Namibia. I was particularly interested in how cultural representations are produced by the nation-state and local people in a post-colonial African context of nation-building and national reconciliation, by bringing visions of cosmopolitanism and modernity into critical dialogue with its colonial past. During the apartheid era, the South African administration encouraged the inhabitants of its &bdquo / Native Homelands‟ to engage in &bdquo / cultural‟ activities aimed at preserving their traditional cultures and fostering a sense of distinct cultural identity among each of Namibia‟s officially recognized &bdquo / ethnic groups‟. This policy was in line with the logic of South African colonial apartheid rule of Namibia, which relied upon the&nbsp / emphasis of ethnic differences, in order to support the idea that the territory was inhabited by a collection of &bdquo / tribes‟ requiring a central white government to oversee their development. The colonial administration resorted to concepts of &bdquo / tradition‟ and &bdquo / cultural heritage‟ in order to construct Africans as members of distinct, bounded communities (&bdquo / tribes‟) attached to specific&nbsp / localities or &bdquo / homelands‟. My central argument is that since Namibian independence in 1990, the postcolonial nation-state has placed emphasis on cultural pride in new ways, and on&nbsp / identifying characteristics of &bdquo / Namibian-ness‟. This has led to the institution of cultural festivals, which have since 1995 held all over the country with an expressed emphasis on the notion of &bdquo / Unity in&nbsp / Diversity‟. These cultural festivals are largely performances and cultural competitions that range from lang-arm dance, and &bdquo / traditional‟ dances, displays of &bdquo / traditional‟ foodstuffs and dramatized representations. The ethnographic study shows that while the performers represent diversity through dance and other forms of cultural exhibition, the importance of belonging to the nation and a&nbsp / larger constituency is simultaneously highlighted. However, as the study demonstrates, the festivals are also spaces where local populations engage in negotiations with the nation-state and contest regional forms of belonging. The study shows how a practice which was considered to be a &bdquo / colonial representation‟ of the &bdquo / other‟ has been reinvented with new meanings in postcolonial Namibia. The study demonstrates through an analysis of cultural representations such as song, dances and drama that the festival creates a space in which &bdquo / social interaction‟ takes place between participants, spectators and officials who organize the event as social capital of associational life.</p>

This thesis studies Joseph Conrad&rsquo / s Almayer&rsquo / s Folly in terms of two theoretical concepts / othering and hybridity. The first theoretical concept, othering, is analysed from various perspectives for three main reasons: 1) The question of &ldquo / Who is other to whom?&rdquo / cannot be answered thoroughly because there is a continuous power struggle between the European and the non-European characters. 2) The theme of othering in the novel is based on a view of humanity and its conflicts that is radically ambivalent, and thus cannot be analyzed from one perspective only. 3) Conrad&rsquo / s world view which is reflected in the novel is not limited to one group of people, but tends to be universal. The second theoretical concept, hybridity, is analyzed under three subtitles: ambivalence, mimicry and hybridity.

The purpose of this study of Anglo-Egyptian writer Ahdaf Soueif’s two novels, In the Eye of the Sun (1999), first published in 1992, and The Map of Love (2000), first published in 1999, is to examine how they are arenas for hybrid politics in the post-colonial Egyptian context and the Arab diasporic context. This thesis examines how Soueif deals with residual colonial logics by using Post-colonial theories of transculturation. These theories reveal, through an analysis of Soueif’s use of Pharaonicism and her depiction of social and religious divides, that Soueif sometimes legitimizes and sometimes contests the results of transculturation by using products of this very process of transculturation. In the diasporic context, Soueif’s work deterritorializes these hybrid politics of legitimation and contestation by collapsing disparate temporalities and emphasizing continuity between them. To do this she deterritorializes and reterritorializes Pharaonicism, as well as Western literary tradition, the English language and political activism, to emphasize the cultural affinities between Egyptians/Arabs and Western culture. In this manner, she composes an integration strategy designed to facilitate her incorporation into her Western society of settlement, Great-Britain. This allows her to build a political platform from which she can contest and influence politics in her homeland, her society of settlement and the shape of Western cultural and political hegemony on a global scale. She is consequently able to transcend residual colonial logics through the very hybrid politics that they have created. Moreover, in the process, through the political agency that she exercises in her writing and activism, she builds a deterritorialized diasporic identity based on integration into many spheres of belonging that problematizes the victim model of diaspora in Diaspora studies.

This essay explores the living conditions of the main characters Kambili in Purple Hibiscus by Chimamanda Ngozi Adichie and Tambudzai in Nervous Conditions by Tsitsi Dangarembga and their struggle to achieve personal freedom. It aims to show that colonial stereotypes are challenged through the girl´s struggles. It starts with a short exposé over post-colonial theory, here a methodological viewpoint, which is important to consider Kambili and Tambudzai from. It furthermore considers how their extensive family circumstances have impact on these two young protagonists, and finally examines how they employ formal and informal education as a tool to make changes in their lives and become inspirational young African women.

This project explores visually experimental poetry as a particular trend in Caribbean poetry since the 1970's. Although visual experimentation in Caribbean poetry is immediately recognizable – for example, its play with font styles and sizes, its jagged margins, its division of the page into multiple discourse spaces, its use of images – little critical attention has been paid to the visual qualities of Caribbean poetry. Instead, definitions of Caribbean poetry have remained focussed upon oral/aural aesthetics, excluding its use of and contribution to late 20th century experimental poetic practice. By focussing on the poetry of Shake Keane, Claire Harris, Marlene Nourbese Philip, Kamau Brathwaite, and LeRoy Clarke, I bring post-colonial literary criticism into discussion with contemporary debates regarding visual poetic practice in North America. In so doing, this project values Caribbean visual poetry both for its expression of Caribbean cultural experience and for its contributions to broader experimental poetry movements. I argue that visual experimentation functions to disrupt traditional linear reading processes, which thereby allows poets to perform the flux of time and space in post-colonial contexts. Furthermore, such disruption of linear reading practices, often manifested by the positioning of multiple discourses on one page, serves to create a polyvocal discourse that resists patriarchal and colonialist power structures. Valuing the visual qualities of Caribbean poetry as signifying elements, this dissertation explores the aesthetic and social implications of inscription and visual design in Caribbean poetry.

This dissertation analyzes the cultural significance of land relations and caste/religious identity to understand political subjectivity in Punjab, Pakistan. The ethnography details the vicissitudes of a peasant land rights movement, Anjuman-e Mazarin Punjab (Punjab Tenants Association) that is struggling to retain land rights on vast agricultural farms controlled by the Pakistan army. The dissertation argues that land struggles should not only be understood in tropes of locality, but also as interconnected processes that attend to global and local changes in governance. To emphasize these connections, the dissertation gives a relational understanding of 'politics of place' that attends to a range of practices from the history of colonial infrastructure projects (the building of canals, roads and model villages) that transformed this agricultural frontier into the heart of British colonial administration. Similarly, the ethnographic chapters relate the history of 'place making' to the present day uncertainty for small tenant sharecroppers who defied the Pakistan Army's attempts to change land relations in the military farms. Within these parameters, this ethnographic study offers a "thick description" of Punjab Tenants Association to analyze the internal shifts in loyalties and alignments during the course of the protest movement by looking at how caste, religious and/or class relations gain or lose significance in the process. My research seeks to counter the predominant understanding of Muslim political subjectivity, which privileges religious beliefs over social practices and regional identity. Another aspect of my work elucidates the symbolic exchange between the infrastructural project of irrigation, railway construction and regional modernity in central Punjab. The network of canals, roads and railways transformed the semi-arid region of Indus Plains and created a unique relationship between the state and rural society in central Punjab. However, this close relationship between rural Punjab and state administration is not void of conflict but rather it indicates a complex sense of attachment and alienation, inclusion and exclusion from the state. / text