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A history of the development of American studio-potteryDonhauser, Paul S. Wold, Stanley G. Wozniak, James. January 1967 (has links)
Thesis (Ed. D.)--Illinois State University, 1967. / Title from title page screen, viewed Aug. 11, 2004. Dissertation Committee: Stanley G. Wold, James Wozniak (co-chairs), George Barford. Includes bibliographical references (leaves 227-234). Also available in print.
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Meditation on artistic intentKarla, Stephen. January 2006 (has links)
Thesis (M.F.A.)--University of Notre Dame, 2006. / Thesis directed by Bill Kremer for the Department of Art, Art History, and Design. "April 2006." Includes bibliographical references (leaf 20).
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The pottery notebook of Maude Robinson a woman's contribution to art pottery manufacture, 1903-1909 /Davis, Emily Elizabeth. January 2007 (has links)
Thesis (M.A.)--University of Delaware, 2007. / Principal faculty advisors: J. Ritchie Garrison and Ronald W. Fuchs, II, Winterthur Program in Early American Culture. Includes bibliographical references.
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The Legacy of Henry Gast and an examination of the impact of industrialization on Nineteenth Century pottery in Lancaster /Hagadorn, Karen. January 2007 (has links)
Thesis (Department Honors) - Franklin & Marshall College, 2007. / Double click the URL for full text access. Includes bibliography p. 70-73.
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Assembling form and space : ceramics as an assemblageWagh, Vaishali D. January 2006 (has links)
This project examines the relationship between form and the resultant space that it encloses, through a process of assembly. The process consists of assembling materials in Phase 1, and assembling parts cut-out from a homogenous ceramic form in Phase 2. Embedded in the act of assembly is the designer's ability to construct the object in multiple formal configurations. Manipulating the form (solid) results in mutation of the space (void) held within and in-between the solid, and vice-versa. Four formal concepts guide the process of assembly in this study: interplay of solid and void, manipulation of the material skin, dynamic visual motion, and light as a building materialThe research in this paper consists of literature survey, precedent studies on two ceramic artists, and analysis of art exhibits.The significance of this project lies in its ability to blur the boundaries between academic disciplines of metalsmithing and ceramics, art and architecture. Design resulting from the overlap between disciplines has vast potential and can lead to dynamic possibilities. / Department of Art
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The life and work of the contemporary professional potter /Lehman, Mark Ammon. January 1994 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1994. / Typescript; issued also on microfilm. Sponsor: Justin Schorr. Dissertation Committee: William Mahoney. Includes bibliographical references (leaves 209-215).
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Lovely in her bonesJackson, Jacob K January 2005 (has links)
Thesis (M.F.A.)--University of Hawaii at Manoa, 2005. / Includes bibliographical references (leaf 66). / iv, 73 leaves, bound col. ill. 29 cm
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