In considering the increasing interest in the study of a global Middle Ages, there seem to be few individuals, either fictional or actual, that had a more powerful cosmopolitan currency than the figure of Prester John and the legends surrounding his kingdom. As a product of cultural imaginings and questionably recounted historical events, the search for and legitimization of Prester John has commanded consistent interest, both popular and scholarly, almost continuously since first mention of the figure of John in 1145. The now infamous Letter of Prester John, which details the magnificent Christian kingdom lying somewhere in the East, beyond the approaching threat of an ever-expanding Islam, has long catalyzed a hunt, by both adventurers and scholars, to seek the elusive patriarch. The very indeterminacy of the geographic location of Prester John allowed the European imagination to consequently imagine him everywhere precisely because he could neither be confirmed nor denied existence anywhere. This report will explore the ways that a reading of the Prester John legend reveals competing ambitions of enclosure and expansion within twelfth and thirteenth-century Latin Christendom, specifically around the time of the Fifth Crusade. This report will trace the ideational tensions within a presumed Christian Crusading West trying to legitimate itself against the dialectical buttress of what was increasingly professed as its heretical other, Islam. The Fifth Crusade, especially, seemed to hinge on the possibility of the harmonious convergence of Eastern and Western Christian powers, literalizing the sense of Christian enclosure around all of Islam. Prester John’s kingdom thus served two functions: first, to comprise the other half of the Christian enclosure, and secondly, to mark a phenomenological limit point of human experience that domesticated alterity under the banner of a sovereign priest-king. / text

Dissertation (Ph.D.)--University of Toledo, 2009. / Typescript. "Submitted as partial fulfillment of the requirements for The Doctor of Philosophy degree in History." Bibliography: leaves 220-250.

The concept of the unknown captivated medieval theologians, mystics, lovers, and travelers for centuries, and yet literary scholars too readily reduce this topos to a romance trope. "Unknowing the Middle Ages" reconsiders the grounds of late-medieval literary discourse by showing how canonical Middle English literary texts eschew the historical knowledges that informed them and, instead, affirm impossibility as a productive site for a literary poetics. My dissertation identifies what I call a "poetics of unknowing" as an important component of a budding late-medieval literary discourse that offers a way to discuss not only what can be known, but also that which exceeds exegetical, geographic, historical, and sensory comprehension. "Unknowing the Middle Ages" makes its argument through four chapters, each of which focuses on a narrative tradition extending at least five hundred years. Each chapter follows a figure---Herod the Great, Prester John, the Pearl, and Criseyde---from the texts that established their axiological significance to their appearances in Middle English texts, which attempt to unknow these figures. In their Middle English narratives these figures negotiate between an inherited religious ethics and an intellectual context compelled increasingly by that which eludes comprehension. In each case, material concerns regarding the unknowable infiltrate the formal composition of the text itself, and resonate at the level of a literary ethics. The "poetics of unknowing" that inhabit these texts reveal an epistemology less encumbered by the practical demands of clarity to which other modes of medieval writing are beholden, and also---perhaps of interest to scholars of modern literature and contemporary theory---refute the critical tendency to view the epistemological valorization of the unknown as a distinctly modern phenomenon. / text

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Thesis (Licentiat). / Includes bibliographical references (p. [119]-128).