The work is examined in detail the symphonies of Bohuslav Martinu. It contains a wide range of musical demonstrations. It also seeks to introduce closer the composer and the atmosphere of the time when symphonies were composed.

The theme of this thesis is Works for wind quintet and associated instrument. The work professionally analyzes works by internationally known authors. Their works became the best-known and most-played compositions of the chamber repertoire, not only for wind instruments. The thesis also includes a comparison of works of the same instrumentation and a playlist for wind quintet and associated instrument.

The main focus of the diploma thesis is on the greatest and most famous violin solos. Lives of their authors are mentioned and their works are viewed within their historical perspective. Some technical and interpretational problems of the solos are introduced and examined.

The introduction is justified by the choice of thesis topic. The aim is to present chamber music for voice, clarinet and piano and additional chapter to present works for voice, clarinet, piano and other instruments. The work consists of an introduction, main chapters, additional chapters and the conclusion. This work formed a brief overview of chamber works and their authors that were written in a composition for voice, clarinet and piano. There are some plot mentioned songs. The main chapters are listed: 1. soprano, mezzo-soprano, alto, tenor, baritone, bass, and their various combinations, 2. clarinet in B and in A, basset horn, bass clarinet. 3. piano. The additional chapters are used other tools such as strings, woodwinds, percussion, narrator, actor, electro-acoustic instruments. In the end, I evaluate my work and I thought of her course. Trying to convince readers and audiences.

The diploma thesis discusses the Piano Quintet "The Trout" by the Viennese composer Franz Schubert. It includes the circumstance of it?s origin, pieces which inspired the composer to creat this work, but also the pieces which were inspired by this particular one subsequently. It includes formal and interpretive analysis of the work. A special chapter deals with two dramatic pieces that were directly inspired by Schubert?s Piano Quintet in A major. Last but not least, it lists 18 other works of the same instrumentation, created between 1799-2011.

The Master thesis follows up on the previous Bachelor thesis title Methodology of traching of the ballroom dancing and it focuses on the second phase of teaching. The thesis engages in describes methodological techniques in teaching individual dances and dance figures within the advanced ballroom dancing courses. Commentaries are included, dealing with potencial problems in teaching and frequent faults.

The thesis is a study that focuses on folklore songs and folklore music in the region of Lachia. It intends to describe Lachia from the etnographic point of view as well as from the perspective of the region known as small Lachia concentrating on the region of Frýdlantsko. The inseperable part of Lachia is its dialect that forms the nature of the spoken language and songs and it has a unique onomatopoeia. This the reason why a significant deal of attention is paid to the dialect in Lachia in this thesis. The main topic of the thesis is the study the folklore music in Lachia. It includes a detailed description of various types of Lachian songs, their uniqueness and puts them into connection with folklore dancing because folklore songs and dance comprise an undivided whole in Lachia. There exist many foklore bands, mostly cimbalom bands, in Lachia as well as in the neighboring Valachia and further in the Moravian Slovakia. The repertory of local bands consists mostly of lachian songs and the majority of bands accompany dancing and singing performances of folklore groups, apart from their usual art activities. The thesis shows that the main function of folklore bands is to preserve the folklore music tradition in Lachia. The irreplaceable role of folklore musicians is obvious in the chapters that describe the activities of bands. Chapters that monitor the families of musicians show the mucis continuity between generations and interconnections of families. The most attention is paid to the family of Kotek, thei band and mostly to the significant local musician, singer, teacher, collector and music publicist ? Mr. Štěpán Kotek.

In my thesis I am giving a description of an Imperial Society of Teachers of Dancing (later only ISTD). ISTD is an international board based in London. Its main purpose is to teach dancers and teachers of dance from around the world. I am describing its history, options of membership, types of examinations and particular faculties. An education of ISTD is divided into twelve faculties of dance: Tap Dance, National Dance, Modern Theatre, Classical Greek, Classical Indian Dance, Modern Ballroom, Latin American, Sequence, Disco, Freestyle & Rock?n?Roll, Club Dance, Cecchetti Classical Ballet and Imperial Ballet. Considering that I am studying the classical dance I have decided to focus on the faculty of Imperial Ballet. I am depicting syllabuses of all periods of examinations and expertises on ISTD.

This thesis engages the question of whether it is even possible to popularize or proclaim alternative or underground project. For the analysis, I chose five publishers, Minority records , Starcastic , Polí5 , Citysurfer and Quazidelict . Originally I wanted to work also include publishing a happening agency AM180 together with their festival Creepy Teepee, but despite my repeated attempts I failed to contact its founders. After some research, I estabilished, that this community does not want to be externally presented and resists any publicity in the mainstream media. Thesis is elaborated in an unconventional way, due to the absolute lack of information about all of these publishing companies, both in printed and online media, I decided to use form of a personal interview. Therefore I would also like to apologize for slang expression used by persons involved in these interviews. It illustrates the world which is discussed. In order to confront ideas, for all the interviews I used the very similar set of questions, that were altered depending on the specialization of the publisher.

The thesis consists of theoretical and practical parts. The practical part represents a series of paintings in which the author is engaged in transcription of personal experiences and impressions of the world marked by a human phenomenon. The theoretical part discusses the quest for the ultimate artistic output and initiatives, which led the author to comment on this topic. In the context of finding appropriate means of expression for the final artistic output, the author reflects on the diversity of artistic approaches and methods used in the presentation of issues of civilization in the world of art.