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A Production Study of Tennessee Williams' Camino RealFlanagan, Michael G. January 1964 (has links)
No description available.
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Problems Involved in Adapting Two One-Act Plays, Yuzuru and Akai-Jimbaori by Junji KinoshitaHayakawa, Yasukiyo January 1964 (has links)
No description available.
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Directing "Discussion" Scenes in Three Plays of George BernardLandrus, Karen S. January 1964 (has links)
No description available.
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A Director's Analysis of Luigi Pirandello's Henry IVMortensen, Virginia A. January 1964 (has links)
No description available.
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The Problems Involved in the Design and Technical Direction of Emile Zola's Therese Raquin as Adapted by Thomas JobOosting, John Thomas January 1964 (has links)
No description available.
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A Study of Imagery for Dramatic Effect in Sir Gawain and the Green KnightPrice, Ronald M. January 1964 (has links)
No description available.
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A Production Study of Under Milk Wood by Dylan ThomasSavage, Michael T. January 1964 (has links)
No description available.
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The Production of An Original Television Program for Pre-school ChildrenMcCord, Jo A. January 1966 (has links)
No description available.
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The proletarian perspective: the study of a production of Bertolt Brecht's The good woman of SetzuanOliver, Robert Michael January 1982 (has links)
...In this thesis I will attempt to demonstrate the enduring power of Brecht's proletarian vision by reference to a production of THE GOOD WOMAN OF SETZUAN that I directed at Virginia Tech, Blacksburg, Virginia, in December, 1981. In this introductory chapter I will outline and discuss the theoretical writings that I used to prepare for an analysis of the play. An exhaustive survey of either Marxist theory or of the works of Carl Jung as they relate to Brechtian production are clearly outside the scope of this thesis: there are sufficient studies available for further research by the reader. I will examine only those sources which contributed to the development of a production concept for THE GOOD WOMAN OF SETZUAN... / Master of Fine Arts
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An observation and subjective overview of the artistic directors of Atlanta's three major not-for-profit regional theatresThomas, David Timothy January 1984 (has links)
Although the duties of Artistic Directors of not-for-profit regional theatres in the United States are similar, the job description varies according to the management structure, mission of the theatre, and personal style of the individual holding the job.
This thesis serves as a report and a subjective overview of an observership with Fred Chappell, Artistic Director of The Alliance Theatre Company/Atlanta Children's Theatre; David Head, Artistic Director of the Theatrical Outfit; and Frank Wittow, Artistic Director of The Academy Theatre.
Each chapter contains: (1) a brief history and description of each theatre company; (2) the mission statement of each theatre; (3) biographical information regarding each Artistic Director; and (4) a subjective overview of the observation at each theatre. Complete transcripts of the interviews are included in Appendices A, B, and C of this thesis. / Master of Fine Arts
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