Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-04-26T21:11:19Z No. of bitstreams: 1 MariaVeronicaFernandez_DISSERT.pdf: 2346087 bytes, checksum: 1c989b753abbebd26a9cfbdd8d9413f0 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-29T23:05:25Z (GMT) No. of bitstreams: 1 MariaVeronicaFernandez_DISSERT.pdf: 2346087 bytes, checksum: 1c989b753abbebd26a9cfbdd8d9413f0 (MD5) / Made available in DSpace on 2016-04-29T23:05:25Z (GMT). No. of bitstreams: 1 MariaVeronicaFernandez_DISSERT.pdf: 2346087 bytes, checksum: 1c989b753abbebd26a9cfbdd8d9413f0 (MD5) Previous issue date: 2015-06-12 / Esta pesquisa examina os elementos estil?sticos provenientes da m?sica folcl?rica da Regi?o da Puna, encontrados na Pune?a N?. 2, Op. 45 para Violoncelo Solo de Alberto Ginastera, com o objetivo de embasar violoncelistas interessados no seu estudo e na sua performance. Como procedimento metodol?gico, foram estudados autores como Aretz (2003, 2008), Aguilar (2007) e Fal? (2011), com o intuito de melhor compreender a m?sica folcl?rica da Regi?o da Puna e das culturas pr?-hisp?nicas, e Su?rez Urtubey (1967, 1972, 2003), que discorre sobre a vida e obra do compositor. A partir do levantamento bibliogr?fico, foram expostos ideias e conceitos que auxiliam o int?rprete a decodificar aspectos relevantes da obra. / This research sheds light on the stylistic elements originated from the region of Puna found in the Pune?a N?. 2, Op. 45 by Alberto Ginastera for Solo Cello in order to supply cellists with the background needed for the interpretation of the piece. As a methodological procedure authors such as Aretz (2003, 2008), Aguilar (2007) and Fal? (2011), Su?rez Urtubey (1967, 1972, 2003) were studied with the goal of better understanding the folk music of the Puna Region and the life and work of Ginastera. From the bibliographical research suggestions were drawn for the cellist interested in the performance and study of the work.