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Cultural and technical perspectives on Winter landscapeWang, Jing, January 2009 (has links)
For flute, piano, erhu, and Max/ISP interactive computer music system. Duration: ca. 15:00. System requirements: Adobe Acrobat Reader. Includes notes for performance. Includes bibliographical references (p. 94-96).
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Piano quartet in B minorHasse, Robert William. January 1950 (has links)
Thesis (M. Mus.)--University of Wisconsin--Madison, 1950. / For 2 violins, violoncello, and piano. Holograph.
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Quartet for strings, piano, and percussionMcDonald, Lawrence Allen. January 1900 (has links)
Thesis (D.M.A.)--University of Wisconsin--Madison, 1994. / Duration: 12:19. Typescript. Includes performance notes. eContent provider-neutral record in process. Description based on print version record.
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An aesthetic analysis of the Beethoven Quartet opus 59 number I, first movementWaltz, Howard. January 1939 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1939. / Typescript. eContent provider-neutral record in process. Description based on print version record.
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Performance aspects of string quartets no. 12, 13 and 14 by Heitor Villa-LobosGutiérrez, Juan José. Villa-Lobos, Heitor. Punter, Melanie January 2006 (has links)
Treatise (D.M.A.) Florida State University, 2006. / Advisor: Melanie Punter, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-22-2007). Document formatted into pages; contains 203 pages. Includes biographical sketch. Includes bibliographical references.
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String QuartetSteele, Robert Lanny 01 1900 (has links)
The String Quartet is comprised of three movements: Allegro, Adagio, and Vivace. The Allegro utilizes a monothematic Sonata Allegro form: the Adagio is through-composed, and the Vivace is a Rondo. All three movements feature a lean harmonic texture, much of the harmony resulting from linear movement, i.e. counterpoint.
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First String QuartetClyne, Malcolm Edward 08 1900 (has links)
This is a quartet in three movements: allegro ben marcato (free form); adagio appasionato (passacaglia); and presto (scherzo). These three movements comprise an arch-form, the first and third being similar stylistically and thematically, the second forming the "pillar".
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Sonata for Mixed QuartetGuynn, Toby Dean 05 1900 (has links)
This quartet is comprised of two wind instruments, flute and clarinet, and two stringed instruments, violin and violoncello. This unusual combination affords a wide variety of colors in both melody and chord-voicing that are impossible with an "unmixed" quartet.
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String QuartetConyers, Carolyn C. (Carolyn Camille) 01 1900 (has links)
This quartet shows the composer's development from a highly chromatic, freely melodic, un-serialized style in movement I, through a still free, but disjunct, somewhat more ordered style in movement II, to a style in movement III which makes much use of serial techniques. This last usage, however, no longer employs the twelve-tone method in a stiff and fettered manner.
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An annotated bibliography of published saxophone quartets (soprano, alto, tenor, and baritone) by American composers /Bender, Rhett L. January 2000 (has links)
Thesis (D.M.A.)--University of Georgia, 2000. / Includes abstract ([1] leaf). Includes bibliographical references (leaves 123-125), composer/title index, and listing by degree of difficulty.
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