Spelling suggestions: "subject:"face awareness inn art"" "subject:"face awareness iin art""
1 |
Circulating race : Malvina Hoffman and the Field Muesum's races of mankind sculptures /Kinkel, Marianne Beatrice, January 2001 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references (leaves 325-344). Available also in a digital version from Dissertation Abstracts.
|
2 |
Circulating race : Malvina Hoffman and the Field Muesum's races of mankind sculptures /Kinkel, Marianne Beatrice, January 2001 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references (leaves 325-344).
|
3 |
To stand somewhere: performing complicityHollmann, Ter January 2016 (has links)
Thesis (M.A. (Drama))--University of the Witwatersrand, Faculty of Humanities, Wits School of Arts, 2016 / This report is the final piece of a performance as research project exploring what it means to
be white and English-speaking at the southern tip of Africa. The report is coupled with an
autobiographical one man play about myself. The play explores, through a series of
monologues, what it means for me to be a white South African. It moves from the specifics
of my life to more general assumptions about whiteness and back again. This report runs
parallel to the play almost as an extension of it working in dialogue to explore complicity
and identity.
As an extension of the creative project I have chosen to negate traditional chapters and
style for more poetic language intertwined with analytical thinking, which links into the style
of the play. The idea behind this is that every world, be it, performance onstage or analytical
report writing is merely a part of the continuum called life and by blurring the lines between
these it is easier to fuse the learning and the living into a cohesive whole.
The creative research shows how the rehearsal and performance process of theatre-making
helps to strip away the deceptions that people tell themselves making them complicit in the
injustice of post-apartheid white privilege but in doing this it also creates a space where
people can feel safe to dialogue about this complicity. / GR2017
|
4 |
Epic encounters first contact imagery in nineteenth and early-twentieth century American art /Elliott, Katherine Lynn. Kinsey, Joni. January 2009 (has links)
Thesis advisor: Joni L. Kinsey. Thesis advisor: Joni Kinsey. Includes bibliographic references (p. 287-299).
|
Page generated in 0.111 seconds