Spelling suggestions: "subject:"racially mixed people inn literature"" "subject:"racially mixed people iin literature""
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The white Negro the image of the passable mulatto character in Black novels, 1853-1954 /Adams, Bruce P. January 1975 (has links)
Thesis (Ph. D.)--University of Kansas, 1975. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 157-194).
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Injun Joe's ghost : a genealogy of the Native American mixed blood in American popular fiction /Brown, Harry J. January 2002 (has links)
Thesis (Ph. D.)--Lehigh University, 2003. / Includes vita. Includes bibliographical references (leaves 323-331).
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Hybrid spectacles: Performance and power in the circulation of Latinidad /Osborn, Shyla Elizabeth. January 2005 (has links)
Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 264-268). Also available for download via the World Wide Web; free to University of Oregon users.
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Mixed-race identity politics in Nella Larsen and Winnifred Eaton (Onoto WatannaNakachi, Sachi. January 2001 (has links)
Thesis (Ph.D.)--Ohio University, November, 2001. / Title from PDF t.p.
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Mulata mothers gender representation in Oscar Hijuelos' novels /Dillon, Karen Lee. January 2004 (has links)
Thesis (M.A.)--Miami University, Dept. of English, 2004. / Title from first page of PDF document. Includes bibliographical references.
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Visually white, legally black miscegenation, the mulatoo, and passing in American literature and culture, 1865-1933 /Chachere, Karen A. De Santis, Christopher C., January 2004 (has links)
Thesis (Ph. D.)--Illinois State University, 2004. / Title from title page screen, viewed Jan. 10, 2005. Dissertation Committee: Christopher C. De Santis (chair), Ronald Strickland, Cynthia A. Huff, Alison Bailey. Includes bibliographical references (leaves 178-193) and abstract. Also available in print.
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Living, writing and staging racial hybridityLa Flamme, Lisa Michelle 05 1900 (has links)
Contemporary Canadian literature and drama that features racial hybridity
represents the racially hybrid soma text as a unique form of embodiment and pays
particular attention to the power of the racialized gaze. The soma text is the central
concept I have developed in order to identify, address, and interrogate the signifying
qualities of the racially hybrid body. Throughout my dissertation, I use the concept of the
body as a text in order to draw attention to the different visual "readings" that are
stimulated by this form of embodiment. In each chapter, I identify the centrality of
racially hybrid embodiment and investigate the power of the racialized gaze involved in
the interpellation of these racially hybrid bodies.
I have chosen to divide my study into discrete chapters and to use specific texts to
illuminate my central concepts and to identify the strategies that can be used to express
agency over the process of interpellation. In Chapter One I explain my methodology,
define the terminology and outline the theories that are central to my analysis. In Chapter
Two, I consider the experiences of mixed race people expressing agency by self-defining
in the genre of autobiography. In Chapter Three, I explore the notion of racial drag as
represented in fiction. In Chapter Four, I consider the ways in which the performative
aspects of racial hybridity are represented by theatrical means and through performance.
My analysis of the soma text and racialized gaze in these three genres offers
critical terms that can be used to analyze representations of racial hybridity. By framing
my analysis by way of the construction of the autobiographical voice I suggest that
insight into the narrative uses of racial hybridity can be deepened and informed by a
thorough analysis of the representation of the lived experience of racial hybridity in a
given context. My crossgeneric and crossracial methodology implicitly asserts the
importance of the inclusion of different types of racial hybridity in order to understand
the power of the racially hybrid body as a signifier in contemporary Canadian literature
and drama. / Arts, Faculty of / English, Department of / Graduate
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Hybridity in Cooper, Mitchell and Randall : erasures, rewritings, and American historical mythologyThormodsgard, Marie January 2004 (has links)
This thesis starts with an overview of the historical record tied to the birth of a new nation studied by Alexis de Tocqueville and Henry Steele Commager. It singles out the works of Henry Nash Smith and Eugene D. Genovese for an understanding, respectively, of the "myth of the frontier" tied to the conquest of the American West and the "plantation myth" that sustained slavery in the American South. Both myths underlie the concept of hybridity or cross-cultural relations in America. This thesis is concerned with the representation or lack of representation of hybridity and the roles played by female characters in connection with the land in two seminal American novels and their film versions---James Fenimore Cooper's The Last of the Mohicans, and Margaret Mitchell's Gone With the Wind---and Alice Randall's rewriting of Mitchell's novel, The Wind Done Gone , as a point of contrast. Hybridity is represented in the mixed-race bodies of these characters.
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Hybridity in Cooper, Mitchell and Randall : erasures, rewritings, and American historical mythologyThormodsgard, Marie January 2004 (has links)
No description available.
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