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"The rhymer in the long tongued room" : Dylan Thomas and radioPietersma, Eric Geoffrey January 1995 (has links)
Dylan Thomas's relationship with radio is marked by an increasingly complex aesthetic response. The broadcasts which he wrote for the B.B.C. demonstrate a progressive refinement of technique and an increasingly original approach to the medium. Under Milk Wood, in many regards, represents the culmination of this broadcasting work; it is a remarkable response to the evocative potentials of radio. But the piece, apart from confirming Thomas's achievement in radio, also provides a unique vehicle for exploring critical treatment of a non-textual form like radio. The critical history of Under Milk Wood emphasises the need for a "form-sensitive" criticism appreciative of the artistic potentials and restrictions of radio. Finally, it is these potentials and restrictions, masterfully explored by Thomas, which can also be seen as exerting a powerful influence on Thomas's own artistic sensibility. The social essence of radio altered Thomas's own artistry.
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"The rhymer in the long tongued room" : Dylan Thomas and radioPietersma, Eric Geoffrey January 1995 (has links)
No description available.
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Lyric technologies : the sound media of American modernist poetryAllen, Edward Joseph Frank January 2014 (has links)
No description available.
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