Constructing and understanding arguments is often difficult but key to both philosophyand other parts of the everyday life. Some methods to ease this task has been developed.One of the methods developed within informal reasoning is argument diagramming, amethod to structure and visualize arguments. This essay takes a complicated argumentabout the fate of the universe, put forward by futurist Ray Kurzweil in his book TheSingularity is Near, as well as some critique published against said argument, as a casestudy for the application of argument diagramming on unstructured arguments fromoutside the field of philosophy. To arrive at a diagram that can be easily grasped andread but still contains all information of the original argument, this essay developsa method of splitting sub-diagrams off of a main diagram. Analysing the resultingdiagrams shows that the plausibility of Kurzweil’s argument is heavily dependent on afew, critical premises at the lower levels of the diagram.

This thesis discusses music's role in utopian community-building by using a case study of a specific composer, Pauline Oliveros, who believed her work could provide a positive "pathway to the future" resembling other utopian visions. The questions of utopian intent, potential, and method are explored through an analysis of Oliveros's untraditional scores, as well as an exploration of Oliveros's writings and secondary accounts from members of the Deep Listening community. This document explores Oliveros's utopian beliefs and practices and outlines important aspects of her utopian vision as they relate to three major utopian models: the traditional "end-state" model, the anarchical model, and the postmodern "method" utopian model. Oliveros exhibits all three models within her work, although this thesis argues that she is, for the most part, a method utopian. While her ceremonial group improvisations like Link/Bonn Feier resemble anarchical works by John Cage, they exhibit a greater interest in the past and in process than most anarchical models allow. Likewise, while her visions of a future aided by AI and bio-technologies appear end-state, her improvisational works with her Electronic Instrument System (EIS) suggest a more process-based, method utopian approach. Her Deep Listening practice is deeply method-utopian, and her Center for Deep Listening can be viewed as an attempt at bringing these method utopian principles to the real world.