Thesis (Ph. D.)--University of Washington, 2005. / Vita. Includes bibliographical references (p. 256-274).

Author's inaugural dissertation, Munich. / "Literaturverzeichnis": verso of 4th prelim. leaf.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1981. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 318-332).

Thesis (D. Mus. Arts)--University of Washington, 2006. / Includes bibliographical references (leaves 144-147).

Thesis--Lund. / Cover title. Includes bibliographical references (p. 164-167).

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 197-200).

Thesis (Ph. D.)--University of Chicago, Department of Comparative Literature and The Faculty of the Division of the Social Sciences Committee on Social Thought, March 2001. / Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 2000. / Typescript. Vita. Includes bibliographical references. Also available on the Internet.

The thesis focuses on the textual representations of everyday experiences in short stories by Evgenii Grishkovets in the collections Planka (Plank, 2006) and Sledy na mne (Traces on Me, 2007). It reviews the literary environment of the first decade of the twenty-first century, and new realism is defined as a new literary trend, incorporating the elements of previously prominent realist and postmodernist traditions, and determined as partially a reaction to these. Grishkovets’ short stories are analyzed through the prism of Henri Lefebvre's theory of “everydayness,” including the latter’s concepts of alienations (the feeling of being foreign or estranged to oneself and some or all elements of one’s existence), moments (instances of true insight into a situation or experience) and presence (an individual’s experience of the authentic in an everyday situation). Through the analysis of the texts, an effort is made to determine the instances when Grishkovets’ characters reach the state of Lefebvre's total man, a person whose perception is not clouded by the alienations, and the concept of Russia’s ‘new hero’ in literature is discussed in correlation with Lefebvre's total man. / February 2016

The aim of this thesis is to investigate the relationship between the city and the individual in literature, thereby acknowledging the anthropomorphic qualities we endow with our cities and in turn, how these qualities consolidate into the trope of the city character. We build this understanding by discussing the social, moral, political, literary, etc. associations of the city, and how these lend themselves to expressions of human energy or reflections of human character. These understandings are then given form through close readings of Gustave Flaubert’s Sentimental Education and Fyodor Dostoevsky’s Crime and Punishment.