Writers tend to exude political views and ideas in their works. Robert A. Heinlein and his works havebeen interpreted from multiple political standpoints, yet almost no such interpretation has beenapplied to his later works. In this paper Lazarus Long, the protagonist in Heinlein’s Time Enough forLove, is interpreted through a libertarian looking glass, focusing on the novel’s societal critique andideas regarding liberty, power, government and economy. This paper is written with the goal ofshowing that the protagonist in Time Enough for Love can be said to be libertarian in perspective andattitude. This is done by using libertarian concepts divided into five categories, these categories beinginterpreted from David Boaz´s primer on libertarianism: societal criticism, governmental criticism,economic criticism, flourishing and observations. Conclusively this paper states that Robert A.Heinlein’s protagonist in the novel Time Enough for Love seems to have many influences by libertarianideals and can be said to be libertarian in perspective and attitude.

Democracy and democratic values have stagnated and are under attack. Current criticism of democracy points towards problems with efficiency, leniency towards undemocratic elements, collective problem-solving, and a suspension of the rule of law for public good. One solution to these problems could be to focus on teaching democratic values through literature in school. A suitable novel for this endeavor is the science-fiction novel Starship Troopers, written by Robert A. Heinlein in 1959, since it functions as fictional criticism and an alternative to democracy. However, most of the previous research conducted on Starship Troopers have focused on aspects regarding militarism and fascism. This research paper differs because it focuses specifically on how democracy is critiqued in the novel and how this critique could be used to teach democratic values. Teaching democratic values should be conducted since democracy and democratic values are arguably the most essential aspects of the fundamental values of the Swedish school system. Still, the relevant school policy documents do not define how these fundamental values are connected to the system of democracy and how they could be taught in a classroom. In order to fill that gap, this paper aims to use the theories and methods of didactic potential, Socratic pedagogy, and the politics of advocacy, attack, and assent to help students become more self-aware of their fundamental democratic values. The analysis demonstrates that Starship Troopers criticizes essential elements of democracy and complements those elements with its own alternative fundamental elements and values. The analysis also demonstrates how this critique can be used as a complement in a philosophical discussion that helps students become more self-aware of their fundamental democratic values.

This essay explores Swarm Consciousness in relation to the novels Ender’s Game by Orson Scott Card, Remembering Babylon by David Malouf, and the manga Nausicaä of the Valley of the Wind by Hayao Miyazaki. Through these novels, Swarm Consciousness can be reimagined in order to challenge the ways insects have previously been considered in literature. Swarm Consciousness is originally a concept from biology that explains the self-organizing systems of social insects such as for example bees or ants. Previously it was believed that these insect societies consisted of a great majority of mindless drones that were governed by a central authority, most commonly envisioned as a queen. However, if we base our vision of Swarm Consciousness on the more recent understanding of insect self-organization it is possible to challenge this rigidly divided traditional perspective into one that instead has the potential to give rise to visions of new and more creative interactions between humans and insects. These interactions are not limited to an in-group, out-group mentality, but Swarm Consciousness can be used to imagine interactions between groups, irrespective of their species identity. Due to this shift towards a more decentralized perspective, it is possible to create a new way of imagining the umwelt, as Jakob von Uexküll would define it, the unique environment, of vastly different creatures. The limits of the umwelt can be breached with the aid of Swarm Consciousness and create new possible forms of interspecies imagination. However, these intimate interactions surpass the individuals involved and create opportunities for glimpsing a wider planetary perspective which gives rise to an increased sense of planetary responsibility. Thus, Swarm Consciousness challenges both how we can think, but also who we can think with and, as a consequence, opens up new ways of perceiving unique and individual worlds, as well as the entire planet.