M.Sc. Rock Art Studies (by research) in the Rock Art Research Institute, School of Geography, Archaeology and Environmental Studies (GAES), Faculty of Science University of the Witwatersrand. Johannesburg, 2016. / Northern Sotho, Khoekhoe, and San rock art occur together in many shelters across South Africa’s Limpopo province. In some cases, specimens of the rock art of these traditions can be seen to be painted directly over one another. By studying such occurrences on the Makgabeng plateau, this project assesses whether the superimposition of rock art among different painting traditions can reveal new insights regarding the painters and their relationships with ‘others’. By looking at how the social life of the rock art is manipulated through superimposition, this study aims to uncover how this manner of consumption reflects upon the nature of the interaction among people of different painting traditions. / LG2017

A dissertation submitted to the Faculty of Arts University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Arts. Johannesburg, 1996 / South African and American public rock art sites are in a predicament. In both countries, there is a lack of an adequate, theoretically informed but practically implementable, conceptual approach to presenting these sites. This lack leads to the reproduction of stereotypes of rock art and the indigenous people who made it. This thesis suggests a way of rectifying the present situation. It is argued that any suggested reconstruction of public rock art sites must recognise that they are implicated in identity-formation. Following this premise, a strategy, entitled metaphoric pilgrimage, is suggested, developed and applied to four rock art sites - two in South Africa and two in America.