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Lautlehre der mundart von Müstair (Münster, kt. Graubünden) Mit ausblicken auf die sprachlichen verhältnisse des inneren MünstertalsSchorta, Andrea, January 1938 (has links)
Issued also as thesis, Zürich. / "Verzeichnis der benutzten werke": p. [xiv]-xvi.
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Die Mundart von Surmeir (Ober- und Unterhalbstein) Beitrag zur Kenntnis einer rätoromanischen Sprachlandschaft /Grisch, Mena, January 1939 (has links)
Thesis (doctoral)--Universität Zürich. / "Teildruck; die vollständige Arbeit erscheint als Band 12 der Romanica Helvetica (series linguistica)"--P. [iii]. Includes bibliographical references (p. [ix]-xv).
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Sprachgestalt als Folge und Fügung zur Phonologie d. Dolomitenladin. (Badiot) u. seiner Nachbarn /Plangg, Guntram. January 1973 (has links)
Habilitationsschrift--Innsbruck, 1969. / Includes bibliographical references (p. 86-90).
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Sprachgestalt als Folge und Fügung zur Phonologie d. Dolomitenladin. (Badiot) u. seiner Nachbarn /Plangg, Guntram. January 1973 (has links)
Habilitationsschrift--Innsbruck, 1969. / Includes bibliographical references (p. 86-90).
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Essai sur la phonétique du parler rhétoroman de la vallée de Tavetsch (canton des Grisons, Suisse)Caduff, Léonard. January 1900 (has links)
Thèse--Lausanne. / Bibliography: p. [ix]-xiii.
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Die vielfältige Romania Dialekt, Sprache, Überdachungssprache : Gedenkschrift für Heinrich Schmid (1921-1999) /Schmid, Heinrich, Iliescu, Maria. Plangg, Guntram. Videsott, Paul. January 2001 (has links)
German and Italian. / Includes bibliographical references.
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A reconsideration of Elizabeth Gaskell's Ruth as romanceCocke, Enid January 1982 (has links)
Typescript (photocopy).
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The study of Andalusian “Muwashaḥāt”: a literary and artistic approach"Balat, Samah Mohamed January 2020 (has links)
Magister Artium - MA / This thesis aims at presenting a comprehensive study, through which more will be learnt
about the art of the Andalusian Muwashaḥāt. This is a study of their artistic structure, types, and
poetic purposes. The art of the Muwashaḥāt was different in form and rhythm from the classic
Arabic poem, because the Muwashaḥāt had multi meters and rhymes, and it relied on the musical
rhythm. Besides, the poetic language of the Muwashaḥāt was based on both classical and
vernacular Arabic. The Muwashaḥāt was invented by the Andalusian poets to keep pace with the
musical development in Andalusia, the researcher will shed light on aesthetic methods, and the
poetic styles that characterized the Muwashaḥāt as an innovative poetic art which had strong ties
with the music and singing, and showing the impact of the Andalusian environment on the
development of this art. The art of the Muwashaḥāt left a distinguished mark on the Arabic
poetry and music, especially in the Maghreb and North Africa where a lot of musical schools and
poets still pay a lot of attention to such type of that Andalusian art. The continuous interest in
this art, until current days, strongly motivated the researcher to proceed with this study.
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Sprachgeographische Untersuchungen zur Bezeichnung der Kirchenfeste im Galloromanischen, Rätoromanischen und Italienischen /Emele, Dietrich, January 1974 (has links)
Thesis--Marburg. / Includes bibliographical references (p. 220-253) and index.
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