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Abbreviated histories : the case of the Epitome de Caesaribus (AD c. 395)Gauville, Jean-Luc January 2005 (has links)
The dissertation offers a critical analysis of the Epitome de Caesaribus, a fourth-century Latin series on the lives of the emperors from Augustus to Theodosius (c. AD 395), and consists of seven chapters defining the text, the genre, its sources, its religious milieu, and its political and social ideas. The political ideas in the Epitome were deeply marked by the influence of the ascetic ideal honouring moderation in drink, food, sleep, sex, and emotions such as anger. Within the fourth-century Roman Empire, the epitomator offers moderate pagan views which show interest about dreams, asceticism, and the providential nature of the divinity. The dissertation proposes to see the Epitome as a literary artefact which, through comparison with contemporary authors, allows one to extract from a bland text ideas found among fourth-century elites in the emperor Honorius' Italy (395-423).
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Abbreviated histories : the case of the Epitome de Caesaribus (AD c. 395)Gauville, Jean-Luc January 2005 (has links)
No description available.
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Cinematic Portrayals of Ancient Women: Cleopatra VII, Livia Augusta, Servilia Caepionis and the Three Waves of FeminismUnknown Date (has links)
This project examines the modern perception of ancient women, specifically
through the creative (and often anachronistic) lens of film. All three women examined,
Cleopatra VII, Livia Augusta, and Servilia Caepionis, all exemplify the modern influence
on interpreting historical sources, resulting in all three becoming agents of feminism in
their own times. Each woman did not culminate the probable influence they had in
Roman society, but they are instead reflective of the patriarchal paradigms understood by
20th and 21st century audiences. The burgeoning feminist ideologies of the 20th century
would influence the depictions of each character in an anachronistic fashion, distorting
the actual control such figures had in history. While Elizabeth Taylor’s Cleopatra
capitalized on youth and sexuality as tools of powers, Siân Phillips’ Livia emphasized
age and experience to advance in patriarchal Rome. Servilia, however, was an older matron who had both the experience and the sexuality to control those around her.
Whileeach figure approached it in very distinct methods, their common goal of changing
Roman politics was reflective of the continued (and relatively unchanged) perception of
ancient Roman women: as intelligent, yet dangerous, figures that served to derail
patriarchal Roman politics. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection
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