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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The death of virtue: Charlotte Dacre's critique of ideals of the feminine

Viegas-Monchamp, Tania 20 March 2006 (has links)
At the turn of the nineteenth century in England, the Gothic novel was extremely popular for its stories of ghosts, mysterious circumstances and of course, the “damsel in distress”. These novels depicted such women as virtuous heroines, women whose chastity, perseverance in the face of adversity (often brought about by a threatening male figure) and innocence made them models for female readers. However, such depictions of female virtue encouraged readers to associate positive female behaviour with suffering. Charlotte Dacre choose to challenge these beliefs by writing about heroines who attempted to understand and control their sexuality and their lives, regardless of societal mores. However, while Dacre writes of such women, her heroines always end up punished in some way, condemned to a life apart from the outside world by being shut away in convents, or succumbing to death. Comparing Dacre’s work to novels by Ann Radcliffe and Matthew Lewis reveals her important contribution to English literature from a feminist perspective; however, it is conceded here that Dacre ultimately cannot envision women who can free themselves from accepted beliefs of virtue. Her heroines’ destinies seem the same as those of her contemporaries: to suffer. Still, her courage in writing about such heroines makes her a remarkable writer, and important to a feminist study of Gothic literature. / February 2006
2

The death of virtue: Charlotte Dacre's critique of ideals of the feminine

Viegas-Monchamp, Tania 20 March 2006 (has links)
At the turn of the nineteenth century in England, the Gothic novel was extremely popular for its stories of ghosts, mysterious circumstances and of course, the “damsel in distress”. These novels depicted such women as virtuous heroines, women whose chastity, perseverance in the face of adversity (often brought about by a threatening male figure) and innocence made them models for female readers. However, such depictions of female virtue encouraged readers to associate positive female behaviour with suffering. Charlotte Dacre choose to challenge these beliefs by writing about heroines who attempted to understand and control their sexuality and their lives, regardless of societal mores. However, while Dacre writes of such women, her heroines always end up punished in some way, condemned to a life apart from the outside world by being shut away in convents, or succumbing to death. Comparing Dacre’s work to novels by Ann Radcliffe and Matthew Lewis reveals her important contribution to English literature from a feminist perspective; however, it is conceded here that Dacre ultimately cannot envision women who can free themselves from accepted beliefs of virtue. Her heroines’ destinies seem the same as those of her contemporaries: to suffer. Still, her courage in writing about such heroines makes her a remarkable writer, and important to a feminist study of Gothic literature.
3

The death of virtue: Charlotte Dacre's critique of ideals of the feminine

Viegas-Monchamp, Tania 20 March 2006 (has links)
At the turn of the nineteenth century in England, the Gothic novel was extremely popular for its stories of ghosts, mysterious circumstances and of course, the “damsel in distress”. These novels depicted such women as virtuous heroines, women whose chastity, perseverance in the face of adversity (often brought about by a threatening male figure) and innocence made them models for female readers. However, such depictions of female virtue encouraged readers to associate positive female behaviour with suffering. Charlotte Dacre choose to challenge these beliefs by writing about heroines who attempted to understand and control their sexuality and their lives, regardless of societal mores. However, while Dacre writes of such women, her heroines always end up punished in some way, condemned to a life apart from the outside world by being shut away in convents, or succumbing to death. Comparing Dacre’s work to novels by Ann Radcliffe and Matthew Lewis reveals her important contribution to English literature from a feminist perspective; however, it is conceded here that Dacre ultimately cannot envision women who can free themselves from accepted beliefs of virtue. Her heroines’ destinies seem the same as those of her contemporaries: to suffer. Still, her courage in writing about such heroines makes her a remarkable writer, and important to a feminist study of Gothic literature.

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