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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

"Such a deal of wonder" : structures of feeling and performances of The winter's tale from 1981 to 2002 /

Burt, Elizabeth Marie, January 2005 (has links)
Thesis (M.A.)--Brigham Young University. Dept. of English, 2005. / Includes bibliographical references (p. 93-100).
2

On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's Globe

Ritter, Christina 19 September 2007 (has links)
No description available.
3

On hallowed ground the significance of geographic location and architectural space in the indenties [sic] of the Royal Shakespeare Company and Shakespeare's Globe /

Ritter, Christina. January 2007 (has links)
Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 205-212).
4

Such a Deal of Wonder: Structures of Feeling and Performances of The Winter's Tale from 1981 to 2002

Burt, Elizabeth Marie 11 July 2005 (has links) (PDF)
Structures of feeling represent the interaction between personal lived experience and fixed social values and meanings, which are found in interpretations of works of art. Studying various interpretations of any play in performance can provide a point of access into a culture because the choices made in the production can be compared to each other and to the written text and then reveal how the theatrical company views particular issues within their own time period. This study looks at productions of The Winter's Tale between 1981 and 2002 at the National Theatre and the Royal Shakespeare Company. Using numerous versions of this play not only increases the depth of our understanding of the play but also reveals how the actors and directors interact with British culture. Each production reveals a director's vision for the production as well as his or her own experience within the culture. Some issues and ideas that are reflected in these interpretations include both optimism and cynicism with regard to the political situation and public figures, an increase in spectacle, and secularization.
5

The dangerous edge of things : John Webster's Bosola in context & performance

Buckingham, John F. January 2011 (has links)
This thesis argues that there is an enigma at the heart of Webster's The Duchess of Malfi; a disjunction between the critical history of the play and its reception in performance. Historical disquiet about the status of the play among academics and cultural commentators has not prevented its popularity with audiences. It has, however, affected some of the staging decisions made by theatre companies mounting productions. Allied to other practical factors, these have impacted significantly – and occasionally disastrously – upon performances. It is argued that Webster conceived the play as a meditation on degree and, in aiming to draw out the maximum relevance from the social satire, deliberately created the multi-faceted performative role of Bosola to work his audience in a complex and subversive manner. The role's purpose was determined in response to the structural discontinuity imposed upon the play by the physical realities of staging within the Blackfriars' auditorium. But Webster also needed an agent to serve the plot's development and, in creating the role he also invented a character, developed way beyond the material of his sources. This character proved as trapped as any other in the play by the consequences of his own moral choices. Hovering between role and character, Webster's creation remains liminally poised on ‘the dangerous edge of things.' Part One explores the contexts in which Webster created one of the most ambiguous figures in early modern drama - subverting stock malcontent, villain and revenger - and speculates on the importance of the actor, John Lowin in its genesis. It includes a subsequent performance history of the role. Part Two presents the detailed analysis of a range of professional performances from the past four decades, attempting to demonstrate how the meaning of the play has been altered by decisions made regarding the part of Bosola.

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