Examples of the construction are found in Old Ukrainian documents and in modern South Russian dialects, and, although these are few and their usage differs from that found in North Russian sources (where the construction is well documented), it cannot be said that the construction has always been restricted to northern and central dialects. In almost every text both nominative and accusative are used for the direct object of independent infinitives, and often the choice of case seems to be random. From the sixteenth century, however, the accusative gradually becomes more frequent until it displaces the nominative from the written language.

This dissertation focuses on the literary and media texts pertaining to the calendar reform introduced by the Bolshevik government after the October Revolution in 1917, and the establishment of specifically Soviet calendar in 1917-1929. The careful examination of the texts reveals a particularly salient feature of the new calendar, namely, its chaotic nature. Drawing on Paul Recoeurs theory of narrative as an exclusively human method of comprehending reality, this study investigates the phenomenon of calendrical narrative in its social and private aspects. Chapter 1 reconstructs the political and ideological context of the historical period employing materials from the two leading Soviet newspapers, Pravda and Izvestiia, and, more specifically, those articles which promote the new Soviet vision of holidays and the ritual calendar as a whole. Chapter 2 deals with Vladimir Mayakovskys vision of time as mans enemy and his construction of a perfect calendar for the future. Chapter 3 examines Mikhail Bulgakovs interpretation of the Christian ritual calendar as a message to ordinary people explaining the moral virtues of Christ, as well as those literary devices he employed highlighting the importance of this message to society and the individual. / Slavic Languages and Literatures

For over 50 years the presence of Russian people has been significant in Australia and the Russian Orthodox Church has been established in 24 centers in all states and territories. The richness of the musical heritage of the Russian Orthodox Church is well known; it has a tradition extending over many centuries and one which embraces an enormous repertoire of various styles of chant together with a vast repertoire of polyphonic music, much of it by famous composers. At this point in time there has been virtually no documentation of the history and practice of Russian Orthodox liturgical music in Australia. There are three histories of the Russian church in Australia (Protopopov 1997, 1998, 1999) but the topic of music is not addressed. This is also true of Galina Zakrjevsky's history of St Nicholas Russian Orthodox Cathedral (1998). Studies of Russian immigration to this country include the dissertation by Maria Frolova (1996) and the book by Elena Govor (1997). While liturgical music is not a concern of these writers, their studies nevertheless provide useful background material for an investigation into Russian Orthodox Liturgical music as practised in this country. There are of course numerous studies of Russian church music, notably by Gardner (1980) and Morosan (1991). Their focus is understandably Russian and these books are essential for any understanding of the Australian experience of such liturgical music. This study thus seeks to document the practice of Russian Orthodox liturgical music in Australia from 1926 to 1999. The central research questions are: What is and has been the makeup of Russian Orthodox church choirs in Australia? What is the repertoire of these choirs? What training is available for choristers? To what extent have Australian choirs been able to maintain the traditions of Russian Orthodox liturgical music? What changes have taken place in performance traditions during the time of settlement? In order to achieve these aims there has been a heavy reliance on surveys by means of a questionnaire and interviews with choirmasters, choristers and clergy in five states. Extensive use has been made of archival sources and church magazines such as Word of the Church and Australiada: A Russian Chronicle. Material for a background study of Russian Orthodox music has been drawn from Secondary sources such as Gardner, Morosan, Brill, and Rasumovsky and for a background history of Russian Orthodox church in history of the Russian Orthodox church in Australia from 'A short history of the first Russian Orthodox parish in Sydney' by Soovoroff. For the discussion in Part 2: The Australian Scene special consideration has been given to four choirs: SS Peter & Paul's Cathedral (Sydney), St Nicholas Cathedral (Brisbane), St Nicholas Church (Adelaide), Holy Dormition Church (Dandenong), Holy Virgin Protection Cathedral (Melbourne), the reason being that these represent the different levels of choral standards in this country. Thus these embrace one choir of a large cathedral church, one of a moderately sized cathedral church, one of a very small cathedral church and one of a tiny parish church. The approach adopted involves an examination of the makeup of these selected choirs throughout the time frame of the study. This is followed by an analysis ofthe their repertoire, based on repertoire lists supplied by choir directors. Due to the paucity of source material and fading memories of informants, it has often been impossible to identify key persons by their name: only the surname and initial can be given.

Treatise (D.M.A.) -- Florida State University, 2004. / Advisor: Stanford Olsen, Florida State University, School of Music. Title and description from treatise home page (viewed 2-9-05). Document formatted into pages; contains 58 pages. Includes biographical sketch. Includes bibliographical references.

Thesis (M.A.)--Cleveland State University, 2008. / Abstract. Title from PDF t.p. (viewed on Apr. 16, 2009). Includes bibliographical references (p. 48-50). Available online via the OhioLINK ETD Center. Also available in print.

Thesis (MSc Natural and Agricultural Sciences)--University of Pretoria, 2007. / Includes bibliographical references. Summary in English.

Thesis (Ph. D.)--Columbia University, 1928. / Vita. Published also without thesis note.

Habilitationsschrift--Freie Universität, Berlin. / Bibliography: v. 1, p. xi-xv.

Thesis--Stanford University. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 480-488).

Thesis (M.S.)--University of Texas at El Paso, 2009. / Title from title screen. Vita. CD-ROM. Includes bibliographical references. Also available online.