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Thesis (Ph.D.)--Faculty of Music, University of Melbourne, 2000. / Typescript. Includes bibliographical references (p. 257-280).

Originally presented as the author's Thesis (doctoral)--Universität Tübingen, 1999. / Includes bibliographical references (v. 1, p. 467-478) and indexes.

Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references(leaves [121]-123).

Dissertation (D.M.A.)--The University of North Carolina at Greensboro, 2008. / Title from PDF t.p.(viewed May 27, 2009). Advisor: Welborn Young; submitted to the School of Music. Includes bibliographical references (p. 59-63).

Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references(leaves [121]-123).

Originally presented as the author's Thesis (doctoral)--Universität Tübingen, 1999. / Includes bibliographical references (v. 1, p. 467-478) and indexes.

Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2007. / Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2722. Adviser: John Walter Hill. Includes bibliographical references (leaves 187-193) Available on microfilm from Pro Quest Information and Learning.

Thesis (Ph.D.)--Boston University. PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / The stature of Samuel Wesley, liturgical composer, organist, editor, lecturer and man of letters, has been obscured by the prominence of his son, Samuel Sebastian Wesley. The father's contributions have been reflected dimly in his recognition as an organist-improvisator and Bach enthusiast, and by the fleeting notoriety accorded him as another religious eccentric named Wesley. The composer's hitherto unacknowledged sacred choral compositions reflect his genius and Romantic dedication to his religious ethos in an unstable environment. Twenty-three English anthems and thirty-one Latin motets have been analyzed. The anthems are less impressive than the motets; they reflect the conservative verse anthem forms which prevailed in English sacred music after 1700. The Latin works constitute a significant contribution which marks the resurgence of English full choral traditions [TRUNCATED]. / 2031-01-01

The Seven Last Words of Christ is a sacred cantata for SATB chorus with soloists accompanied by a woodwind quintet, brass quintet and three percussionists. The text employed in this work is based on the Gospel accounts of the crucifixion of Jesus Christ in the King James Version of the of the Holy Bible. The cantata consists of seven movements with an instrumental introduction and postlude, and has a duration of approximately twenty-seven minutes. The majority of the movements are slow in tempo, reflecting the somber mood of the text. The major goal of this work is to musically represent the drama and prevailing mood present at an event of extreme magnitude and importance in the lives of Christians around the world, and to provide additional literature for special church services through the use of individual movements.