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1	Cymatic Revelations Carraher, Thomas B. 17 May 2016 (has links) Cymatic Revelations is a multi-media composition that aims to artistically reveal the power of vibration through the synchronous use of cymatic pattern imaging, real-time video projection, and live music. When musical vibrations are channeled through a malleable medium such as a liquid, the vibrations cause the medium to arrange itself into visible geometries known as cymatic patterns. Being that these patterns are created by the sounds themselves, the projected visual elements are used to visually connect the audience to what they hear. While incorporating archetypal elements of light, reflection, and symmetry, Cymatic Revelations utilizes cutting-edge music technologies to expose this common thread of vibration in the world around us. The piece combines the real-time generation of cymatic events, videos, and slideshows, with a live ensemble that features both electronic and acoustic instruments. / Mary Pappert School of Music; / Music Technology / MM; / Thesis;
2	A theological exploration of the role and use of music for worship in the Methodist Church of Southern Africa Van de Laar, John William 11 1900 (has links) A theology of Church music for worship has been conspicuous by its absence. The need is clearly demonstrated in this thesis, as is the methodology to develop this theology. The Biblical record of musical usage shows that theological principles can be uncovered to guide theuse of music today. The same process can be applied to the use of music for worship in church history. In order for these principles to have practical application, the challenges facing the Methodist of Southern Africa today are examined. Finally, a theology of Worship Music is developed under three headings. The first, Worship Music as Sacred Sound, explores the inherent music making of God, and of humanity. The second heading, Worship Music as Sacred Act, explores the way music is used as part of the Church's worship activity. The third heading, Worship Music as Sacred Word, explains how music can communicate in worship. / Philosophy, Practical & Sytematic Theology / M. Th. (Systematic Theology) Worship Music Theology of music Theology of worship Church music Methodist music South African Church music Music in the Bible Sacred sound Sacred Act Sacred word 264.2 Methodist Church of Southern Africa
3	A theological exploration of the role and use of music for worship in the Methodist Church of Southern Africa Van de Laar, John William 11 1900 (has links) A theology of Church music for worship has been conspicuous by its absence. The need is clearly demonstrated in this thesis, as is the methodology to develop this theology. The Biblical record of musical usage shows that theological principles can be uncovered to guide theuse of music today. The same process can be applied to the use of music for worship in church history. In order for these principles to have practical application, the challenges facing the Methodist of Southern Africa today are examined. Finally, a theology of Worship Music is developed under three headings. The first, Worship Music as Sacred Sound, explores the inherent music making of God, and of humanity. The second heading, Worship Music as Sacred Act, explores the way music is used as part of the Church's worship activity. The third heading, Worship Music as Sacred Word, explains how music can communicate in worship. / Philosophy, Practical and Sytematic Theology / M. Th. (Systematic Theology) Worship Music Theology of music Theology of worship Church music Methodist music South African Church music Music in the Bible Sacred sound Sacred Act Sacred word 264.2 Methodist Church of Southern Africa

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