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Saltykov and the Russian squireStrelsky, Nikander, January 1966 (has links)
Originally issued as thesis, Columbia University. / Reprint of the 1940 ed. Includes bibliographical references (p. [161]-169) and index.
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Saltykov and the Russian squireStrelsky, Nikander, January 1966 (has links)
Originally issued as thesis, Columbia University. / Reprint of the 1940 ed. Includes bibliographical references (p. [161]-169) and index.
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Saltykov and the Russian squireStrelsky, Nikander, January 1940 (has links)
Originally submitted as the author's Thesis (Columbia University). / Includes bibliographical references (p. [161]-169) and index.
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The poetics of indeterminism : M. E. Saltykov-Shchedrin, the dynamics of the aesthetic object / M.E. Saltykov-Shchedrin, the dynamics of the aesthetic object.Sadet︠s︡kiĭ, Aleksandr. January 1986 (has links)
No description available.
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The poetics of indeterminism : M. E. Saltykov-Shchedrin, the dynamics of the aesthetic objectSadet︠s︡kiĭ, Aleksandr. January 1986 (has links)
No description available.
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Beyond history: a study of Saltykov's The history of a townPetro, Peter January 1972 (has links)
The purpose of this work is to show the evolution of The History of a Town and analyze its satirical form and thus to elucidate the obscure points that until recently prevented the recognition of The History of a Town (Istoriya odnogo goroda, 1869-1870, from now on, mentioned as The History) as a major work of Mikhail Evgrafovich Saltykov-Shchedrin (1826-1889), a work that came into the Russian literature after the time of the Great Reforms and which expressed the spirit of the time, understanding of the historical
process and aimed deeper beyond the satirical rendering of the historical facts.
Considered by most of the critics as a kind of parody of Russian history, where a provincial town, Glupov, stands for Russia and whose governors are caricatures of Russian sovereigns and ministers, this work survived the onslaught of various interpretations. Shortly after its first appearance
it generated much controversy and grounds for suspicion as to whether it was not more than a parody of Russian history
and the characters that appear in it more than mere caricatures of the House of Romanov and their ministers. After the heated polemics and discussions so typical of the period of the publication of Saltykov's satiric chronicle subsided, neglect descended upon it, to cover it for several
decades. The interest in Saltykov's works increased after the books were dusted and rediscovered by the Soviet propagandists
who also gave an impetus to a serious study of Saltykov's work, which, with a few exceptions, lacked both in objectivity and in assertion of the chronicle's significance
beyond the historically ramified period which The History ostensibly covered.
An attempt will be made here to show that Saltykov tried, successfully, to transcend the temporary framework of a definite situation of the period between 1731-1826 in order to give us an insight into the relationship of the governors and the governed, encompassing the epoch highlighted
by the reform of 1961 and the decade that followed it. This study will also undertake an analysis of Saltykov's
technique of satire and humour, as well as the gradual development of his technique and ideas in the course of the decade preceding the publication of The History. / Arts, Faculty of / Central Eastern Northern European Studies, Department of / Graduate
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La société russe de la deuxième moitié du XIXe siècle vue à travers les oeuvres de Saltykov-Scedrin, Gleb Uspenskij et PisemskijBlankoff, Jean January 1969 (has links)
Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished
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