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The self-conscious narrator in Beckett's trilogy /Fraser, Graham, 1966- January 1990 (has links)
This thesis examines Beckett's trilogy as a work of metafiction, approaching each novel through its primary metafictional device, the self-conscious narrator. Since the narrators are aware of their roles as story-tellers, the examination is carried out in light of Beckett's pronouncements on the nature of art and the artist. Not only are the narrators found to meet Beckett's criteria for artists and artistic development, but Beckett's aesthetic is seen virtually to require self-consciousness. In their situations, their relationship to the audience (both reader and narratee) and the nature of their tales, the self-conscious narrators follow the artistic trajectory Beckett maps out in his critical writings. As Beckett's aesthetic is fulfilled, the narrators' increasing self-consciousness intensifies the metafictional aspects of the trilogy. The trilogy is thus a demonstration of Beckett's self-conscious aesthetic--a descent into reflexivity on the part of the narrators, and through the narrators, on the part of trilogy as a whole.
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Visions of Eden :Gibbons, Geoffrey T Unknown Date (has links)
Thesis (MArt)--University of South Australia, 2001.
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What matter who's speaking : Samuel Beckett and the author-function / Russell Smith.Smith, Russell, 1968- January 2000 (has links)
Includes bibliographical references (leaves 309-330) / vii, 330 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Resists the notion of a subversive Beckett appropriated by the cultural mainstream, by tracing the discursive limits of avante-garde writing, and by exploring how Beckett paradoxically reinforced the traditional author-function even as he appeared to challenge it. / Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2001
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Visions of Eden :Gibbons, Geoffrey T Unknown Date (has links)
Thesis (MArt)--University of South Australia, 2001.
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Unveil the veiled an interdisciplinary study of aesthetic ideas in the works of Piet Mondrian and Samuel Beckett /Chang, Chinhong Lim. January 2003 (has links)
Thesis (Ph. D.)--Ohio University, June, 2003. / Title from PDF t.p. Includes bibliographical references (leaves 280-306).
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Beckett, Derrida and the event of literature philosophical perspectives on the literary /Szafraniec, Joanna Dagmara. January 2004 (has links)
Proefschrift Universiteit van Amsterdam. / Auteursnaam op omslag: Asja Szafraniec. Met lit. opg. - Met samenvatting in het Nederlands.
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Analysis for performance and interpretation of selected songs of Debussy, Griffes, and Barber /Sperry, Linda Kay. January 1966 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University, 1966. / Includes bibliographical references (leaves 96-98).
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Samuel Beckett und die deutsche Sprache eine Untersuchung der deutschen Übersetzungen des dramatischen WerksFries-Dieckmann, Marion January 2006 (has links)
Zugl.: Düsseldorf, Univ., Diss., 2006
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Krankheit und Geschlecht Syphilis und Menstruation in den frühen Krankenjournalen (1801 - 1809) Samuel HahnemannsBrehme, Sabine January 2005 (has links)
Zugl.: Witten, Herdecke, Univ., Diss., 2005 u.d.T.: Brehme, Sabine: Geschlechterspezifische Therapie venerischer Krankheiten und Einstufung der Menstruation in der Frühzeit der Homöopathie
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The natural philosophy of Samuel Taylor Coleridge /Sysak, Janusz Aleksander. January 2000 (has links)
Thesis (Ph.D.)--University of Melbourne, Dept. of History and Philosophy of Science, 2000. / Typescript (photocopy). Includes bibliographical references (leaves 294-312).
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