• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 1
  • Tagged with
  • 5
  • 5
  • 5
  • 5
  • 3
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Formal satire in the first half of the seventeenth century, 1600-1650

Kramer, Leonie Judith Gibson January 1952 (has links)
No description available.
2

A study of the satire of Swift

Unknown Date (has links)
by Jessie Partridge / Typescript / M.A. Florida State College for Women 1914 / Includes bibliographical references (leaves 2-3)
3

Studies in the idiom of English poetry between the middle of the seventeenth century and the middle of the eighteenth century

Jack, Ian January 1950 (has links)
No description available.
4

The defence of satire from Dryden to Johnson

Elkin, Peter Kingsley January 1967 (has links)
No description available.
5

Imagining corrupt consumption : the genesis and evolution of the pox metaphor in sixteenth-century England (1494-1606)

Spates, William H. January 2005 (has links)
This thesis attempts to examine the birth and development of the pox metaphor in sixteenth-century English literature. In researching this literary history of a disease---of syphilis' life as an early modem metaphor---I have attempted to contextualize the pox metaphor's development within the social and economic constructs that led to the early modern conflation of excessive consumption with poxy corruption. This conflation freed the metaphor from the confines of discussion on disease and allowed early modern authors the freedom to apply pockifed tropes to describe various social ills and abuses. Initially these pox metaphors were restricted to sexualized subject matter such as inconstant women, but through the rise of satire, the metaphor became a means of describing London as rampant, diseased and corrupt. Finally, Shakespeare was able to take the pox and apply it to the economic sickness that was affecting England by inscribing appetites with consuming pox-inspired qualities that were, in effect, a commentary on the uncontrolled rise of the capitalist state and the dangers of desire.

Page generated in 0.1003 seconds