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The doctrine of affections in selected solo cantatas of Alessandro ScarlattiHenry, Oscar Mervine, January 1963 (has links)
Thesis--Ohio State University. / Vita. Includes bibliographical references.
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The late operas of Alessandro ScarlattiMorey, Carl Reginald, January 1965 (has links)
Thesis--Indiana University. / Vita. "Musical examples": leaves 198-3ll. Includes bibliographical references (leaves 193-197).
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The St. John Passion of Alessandro ScarlattiRoden, Charles F., January 1973 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1973. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Alessandro Scarlatti's cantatas for soprano and basso continuo, 1693-1705Damuth, Laura. January 1993 (has links)
Thesis (Ph. D.)--Columbia University, 1993. / Includes bibliographical references (leaves 239-249).
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Die Offiziumskompositionen von Alessandro ScarlattiPoensgen, Benedikt Johannes. January 1900 (has links) (PDF)
Hamburg, Univ., Diss., 2004. / Enth.: Bd. 1. Zur Biographie und zu den Offiziumskompositionen Alessandro Scarlattis. Bd. 2. Verzeichnis der Offiziumskompositionen
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Alessandro Scarlatti: solo cantatas for bassCollins, Leo Wilkie January 1960 (has links)
Thesis (D.M.A.)--Boston University 1960.
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Poetry and patronage Alessandro Scarlatti, the Accademia degli Arcadia, and the development of the Conversazione cantata in Rome, 1700-1710 /Hale Harris, Kimberly Coulter. January 2005 (has links)
Thesis (Ph. D.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 147-153).
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Poetry and patronage : Alessandro Scarlatti, the Accademia degli Arcadia, and the development of the Conversazione cantata in Rome, 1700-1710 /Hale Harris, Kimberly Coulter. January 2005 (has links)
Thesis (Ph. D.)--University of North Texas, 2005. / Includes abstract. Also available via the World Wide Web. Includes bibliographical references.
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Four selected cantatas by Alessandro Scarlatti: transcription from manuscript number M360.10 of the Boston Public Library and commentaryMandel, Sara Yehudah January 1974 (has links)
Thesis (M.A.)--Boston University / The cantatas of Alessandro Scarlatti (1660-1725) represent the culmination of more than a century of Italian secular cantata composition. Although overshadowed by the immense popularity of the Neapolitan opera, the cantata served as the ideal medium for the experimentation with and the perfection of new musical techniques. Thus, while Scarlatti himself was far better known for his operas, his numerous cantatas are historically of more special musical significance.
Although Scarlatti's cantatas are distinguished by their beauty and craftsmanship, only a very few have been edited in modern published editions. This is despite the fact that almost eight hundred of Scarlatti's cantatas are known to exist in manuscript form. These have been exhaustively indexed by Edwin Hanley in an unpublished Yale University dissertation, "Alessandro Scarlatti's Cantate da Camera: A Bibliographic Study" (1963). However, the forthcoming complete edition of them lies years in the future. [TRUNCATED]
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Hudební a pianistický přínos sonát Domen ica Scarlattiho. / Musical and pianistic contribution of the sonatas of Domenico ScarlattiVrtiška, Karel January 2015 (has links)
The goal of the work is to amplify the volume of respectable academic work dedicated to the pieces and life of Domenico Scarlatti which is not, even nowadays, much abundant in the Czech language. The author's effort was also to help other interpreters of Scarlatti's sonatas, who might be reading this work in the future, to familiarize with pieces of knowledge on the sonatas which has not been widely known and to get valuable and inspirational stimuli that may help them when practising.
The work is focused on the form of the sonatas and on solution of technical difficulties, which, considering the period of their origin, are much unprecedented. It were these analyses that help the author elucidate the thematic field that can be also found in the title of the work - musical and pianistic contribution of the sonatas of Domenico Scarlatti.
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