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Alternative realities/The multiverse a metaphysical conundrum /Wynn, Freda A. January 2005 (has links)
Thesis (M.A.)--Georgia State University, 2005. / Title from title screen. Kay Beck, committee chair; Edward J. Friedman, Kathryn H. Fuller, committee members. Electronic text (124 p.) : digital, PDF file. Description based on contents viewed Apr. 17, 2007. Includes bibliographical references (p. 108-124).
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Structural analyses of selected modern science-fiction films /Popovich, George Lee January 1987 (has links)
No description available.
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The time that binds: science fiction cinema and the social experience of time /Stevenson, Corey, January 1900 (has links)
Thesis (M.A.)--Carleton University, 2004. / Includes bibliographical references (p. 106-109). Also available in electronic format on the Internet.
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Time travel filmsMijic, Vladislav. January 2000 (has links)
Thesis (M.A.)--York University, 2000. Graduate Programme in Film and Video. / Typescript. Includes bibliographical references (leaves 114-117). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ67715.
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Nostalgia in postmodern science fiction filmRoss, Simon David. January 2001 (has links)
published_or_final_version / English Studies / Master / Master of Arts
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Performing cyborgsCornea, Christine January 2001 (has links)
No description available.
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The sounds of the dystopian future music for science fiction films of the new Hollywood era, 1966-1976 /McGinney, William Lawrence. January 2009 (has links)
System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 212-221).
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Cyborgs, capitalism, hope: a study of Hong Kong and Hollywood science fiction filmsWong, Yee-ling., 黃綺玲. January 2013 (has links)
Posthuman representations in selected Hollywood and Hong Kong science fiction films show new interconnections in “techno-globalization.” They also exhibit a waning relationship between the “center” and the “margin” of technoculture. This study discusses the relation of technology, humanity, affect, and aesthetics in selective science fiction films produced from 1984 to 2010. The science fiction features were made in the United States and in Hong Kong. They include: The Terminator (1984), Terminator2 (1991), Terminator Salvation (2009), A.I. Artificial Intelligence (2002), I Love Maria (1988), Kung Fu Cyborg (2009) and Future X-Cops (2010). In particular, Kung Fu Cyborg merges the popular genre conventions of martial arts and technoculture, and manifests a different imagination at work wherein Hong Kong’s martial arts cinema stands in the place of a scientific-based Western technoculture absent in Hong Kong science fiction films. This study presents several key critical frames elaborated by scholars of science fiction who have assessed the recurrent themes and figures of science fiction films. The discussion of films identifies the resemblances, the differences, and the competitive dynamic between American science fiction films and Hong Kong action features. The absence of utopian or dystopian figures in posthuman filmic representations in Hong Kong cinema is considered an important difference from Western science fiction films. This thesis examines the figure of the cyborg and argues for the important place of emotions and the power to emote and hope as having a complex relationship to technology, humans and humanness. The compassionate cyborg has temporal and moral dimensions relating to belief and religion in this important genre. Thus, this thesis examines the backdrop for science fiction affect, which is one of oppression and crisis that speaks to the conditions of capitalism and modernity. The affective cyborgs make an important figure in the science fiction films that concern the crisis conditions, the appeal of technology, and the conventions of science fiction genre in commercial cinema. / published_or_final_version / Comparative Literature / Master / Master of Philosophy
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Une lecture politique de Star trek /Roy, André, 1963- January 1989 (has links)
No description available.
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Une lecture politique de Star trek /Roy, André, 1963- January 1989 (has links)
No description available.
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