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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Harmony and voice leading in late Scriabin

Shergold, Roderick January 1993 (has links)
No description available.
12

Tradition and innovation in the twenty-four preludes, Opus 11 of Alexander Scriabin

Lee, Hwa-Young 28 August 2008 (has links)
Not available / text
13

Five Preludes opus 74 by Alexander Scriabin: the Mystic Chord as basis for new means of harmonic progression

Chang, Chia-lun 28 August 2008 (has links)
Not available
14

Five Preludes opus 74 by Alexander Scriabin : the Mystic Chord as basis for new means of harmonic progression

Chang, Chia-lun 10 August 2011 (has links)
Not available / text
15

The shorter piano works of Alexander Scriabin

Moran, Cassondra, Moran, Cassondra January 1979 (has links)
No description available.
16

Preludes, Opp, 15, 35, and 74 of Alexander Scriabin

Buckingham, Wilna Faye 01 1900 (has links)
The five Preludes, Op. 15 were composed in the year 1897 while Scriabin was occupied in concert tours with his friend and publisher, Beliaef. This year brought no less than forty-seven short preludes written at various times and collected in five sets: Opp. 11, 13, 15, 16, and 17. These preludes, though clever and original in melody, show the great influence of Chopin on Scriabin.
17

The seed ideas of Dane Rudhyar : sources, influence, and reception /

Hakanson, Michelle. January 2006 (has links)
Thesis (Ph. D.)--University of Oregon, 2006. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 300-312). Also available for download via the World Wide Web; free to University of Oregon users.
18

Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.

Sukhina, Nataliya 05 1900 (has links)
Scriabin's piano miniatures are ideal for the study of evolution of his style, which underwent an extreme transformation. They present heavily concentrated idioms and structural procedures within concise form, therefore making it more accessible to grasp the quintessence of the composer's thought. A plethora of studies often reviews isolated genres or periods of Scriabin's legacy, making it impossible to reveal important general tendencies and inner relationships between his pieces. While expanding the boundaries of tonality, Scriabin completed the expansion and universalization of the piano miniature genre. Starting from his middle years the 'poem' characteristics can be found in nearly every piece. The key to this process lies in Scriabin's compilation of certain symbolical musical gestures. Separation between technical means and poetic intention of Scriabin's works as well as rejection of his metaphysical thought evolution result in serious interpretive implications. Music of Scriabin provides an excellent opportunity for a performer to find a proper balance between rational and intuitive. The lack of any of these qualities will impoverish his works, making their interpretation incomplete. Following one of main Scriabin's ideas - synthesis of all arts - this study approaches his music not from the narrow analytical, but broad synthetic standpoint. The suggested solution is an informed performance, based on Heinrich Neuhaus's teaching method that encompassed all arts. 'Cross-art' comparative analysis justifies the composer's artistic searches and highlights significance of his ideas, which disclose a strong correlation with the characteristic features of the creative faculty, the nature of music and its synergetic aspects.
19

Scriabin: A New Theory of Harmony and Structure

McVay, Michael (Michael Jones) 12 1900 (has links)
The thesis speculates upon the source of Scriabin's pitch selection in several of his atonal works, concluding that Scriabin's "principle" stems from his own "mystic chord," its inversion at the major third, and the transposition of these two chords at the tritone. These four chords share the same invariant harmonic basis, Scriabin's characteristic French-sixth sonority. The quartet of chords combine to form two nine-note scales, each containing as a subset the octatonic scale. The thesis demonstrates how Scriabin composed his works in harmonic blocks, utilizing only the notes from these scales. The thesis traces Scriabin's atonal style back to his tonal period. His fascination with tritone adjacencies and relationships is discussed, and serves to support the theory. Other harmonic and linear theories are discussed. Also, the thesis shows how Scriabin used these scales structurally in his works.
20

A Statistical Study of the use of the "Mystic Chord" in the First Four Piano Sonatas of Alexander Scriabine

Hallmark, Philip R. 08 1900 (has links)
The purpose of this paper is to discover the environmental characteristics of the "Mystic Chord" in the first four Sonatas for Piano by Alexander Scriabine. This paper explores the manner of approach, manner of resolution, harmonic function, position, melodic function, and rhythmic position of the "Mystic Chord".

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