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Searching for GreenCal, Santiago 01 January 1998 (has links)
A thesis submitted in fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University.
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FOUR OBJECTS: A VISUAL HEARINGGilbert, Katharine Nuckols 01 January 1970 (has links)
This thesis statement is of a two part nature. The first part shows photographs of my creative products in the process of making them and in their completed state. The second part deals with the process involved in my mental activity as these objects were created.
I have presented the photographs of my work first because I feel that viewing the work before reading the text is of primary importance. Visual comprehension of my work is my major purpose.
The photographs in the visual appendix are objects that exist within my world. They are abstractions. They are but a few of the things with which I am involved in my creative work. These are more than mere representations. They are my inspiration.
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Out of minimalism : the Referential Cube, contextualising sculptures by Antony Gormley, Anish Kapoor and Rachel Whiteread /Hedlin Hayden, Malin. January 2003 (has links)
Diss.--Histoire de l'art--Uppsala university, 2002.
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A series of sculptures, the winged figureMerry, Hugh O'Neall, 1938- January 1964 (has links)
No description available.
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Embodied sensory perceptions explored through memory, materiality and tacit knowledge /Matthews, Leslie. Unknown Date (has links)
Do we have the capacity to sense a form through embodied memory? Can we apprehend the qualities of matter and texture inside our bodies without touching? Is it possible to emotionally 'feel' a material? / This research investigates these questions focusing on understanding embodied ways of knowing, particularly the sense of touch, the haptic system and the relation these senses have to memory. I have undertaken an examination of these ideas through creating sculptural forms that reference the body. These concepts were also explored through researching relevant theorists and expanded upon in a discussion of the work of selected artists whose work alludes to the body through structure, process and materiality of form. / Thesis (MVisualArts)--University of South Australia, 2006.
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Carving for a Future: Baccio Bandinelli Securing Medici Patronage through his Mutually Fulfilling and Propagandistic Hercules and CacusMorford, Michael David January 2009 (has links)
Thesis (Ph.D.)--Case Western Reserve University, 2009 / Title from PDF (viewed on 30 July 2009) Department of Art History Includes abstract Includes bibliographical references Available online via the OhioLINK ETD Center
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La photographie statuaire /Sadoun, Moïse. January 1900 (has links)
Mem.--Arts plastiques--Paris 8, [ca 1990]. / Bibliogr.
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IsthmusGoff, Peter. January 1900 (has links)
Thesis (M.F.A.)--The University of North Carolina at Greensboro, 2008. / Directed by Billy Lee; submitted to Dept. of Art. Title from PDF t.p. (viewed Aug. 25, 2009). Includes bibliographical references (p. 8).
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The salad daysHindal, Jeffrey G. January 2010 (has links)
Thesis (M.F.A.)--West Virginia University, 2010. / Title from document title page. Document formatted into pages; contains iv, 48 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 44-46).
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The fragility of knowledgeErlinger, Curtis. January 2005 (has links)
Thesis (M.F.A.)--University of Missouri-Columbia, 2005. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (January 23, 2007) Vita. Includes bibliographical references.
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