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"... världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S BachWeman Ericsson, Lena January 2008 (has links) (PDF)
Zugl.: Luleå, Univ., Diss., 2008.
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Stanley Sebastian Kresge a rhetorical ideational study of the Kresge Foundation's principal public spokesman.Diedrich, Duane Norman. January 1961 (has links)
Thesis (Ph.D.)--University of Michigan, 1961.
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Bach's Mass in B minor an analytical study of parody movements and their function in the large-scale architectural design of the mass /Pérez Torres, René. January 2005 (has links)
Thesis (M.M.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 191-193).
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The long chorale preludes of J.S. Bach (1685-1750) study of accompaniments, together with three recitals of selected work by Dietrich Buxtehude (1637-1707), J.S. Bach, and Louis Vierne (1870-1937) and others /Lim, Aesook. January 2006 (has links)
Thesis (D.M.A.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 15, 1999, July 16, 2001, Apr. 29, 2005, and Nov. 17, 2005. Includes bibliographical references (p. 36-37).
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Expression and meaning in Bach performance and reception an examination of the B minor Mass on recordGolomb, Uri Unknown Date (has links)
King's College, Univ., Diss., 2004--Cambridge
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Die Bach-Rezeption im frühen Instrumentalwerk Paul Hindemiths /Teuber, Richard, January 2001 (has links)
Diss.--Frankfurt am Main--Hochschule für Musik und darsstellende Kunst, 1999. / Bibliogr. p. 148-161.
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La référence à Bach dans les oeuvres néo-classiques de Stravinsky /Cantoni, Angelo. January 1998 (has links)
Diss.--Tours, 1994. / Bibliogr. p. 349-355.
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Self parody among the cantatas of Johann Sebastian BachDavis, Richard Carroll January 1962 (has links)
Thesis (Ph.D.)--Boston University. / Many of Bach's greatest masterpieces contain movements based on music from earlier compositions. These parodies of previously composed works seemed to require as much, if not more, ingenuity than that required for the composition of fresh musical material. A thorough study, then, of Bach's technique of parody should provide new insight into his music and his methods of composition.
All changes have been listed and classified in an appendix so that references, other than those cited in the text, can easily be made to the published work. References are made, whenever possible, to the edition of the composer's collected works by the Bach Gesellschaft. [TRUNCATED]
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Johann Sebastian Bach als Klang-Redner : die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter InstrumentalfugenPeters, Manfred January 2005 (has links)
Zugl.: Dresden, Techn. Univ., Diss., 2004
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The fugal technique of J.S. BachBullivant, Roger January 1960 (has links)
No description available.
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