In this thesis, I have analysed representations of a selection of fictional and factual serial killers from Thomas de Quincey to Thomas Harris’s Hannibal Lecter, from Mary Shelley’s Frankenstein to the autobiographical narratives of real life serial killers Carl Panzram, Donald Gaskins and Ian Brady. My analysis of these texts identifies the portrayals of serial killers in terms of representations as aesthetic, existential, socially othered phenomena. The thesis proceeds from the premise that serial killer narratives often obscure the existential brute reality of murder. As such, I examine serial killing vis-à-vis attempted explanatory shifts in such narratives which represent serial murder and serial killers in terms of aesthetic, psychopathological, moral/religious/supernatural and socio-political phenomena, and I investigate the implications of these shifts. I focus initially on Romantic ideas of the self, and in the relationship between the ‘outsider’ artist/poet and the textual emergence of the figure of the solitary ‘serial’ murderer in the early nineteenth century, particularly in relation to De Quincey’s aesthetic murder essays. Subsequent fluctuations of the representation of serial killing between mental-health, law-and-order and political/social discourses are discussed in relation to the subsequent texts. I conclude by examining cognitive dissonance theory, A.E. Van Vogt’s description of the Violent Man, and James Gilligan’s theories on violence, in order to propose a possible synergetic response to narratives and representations of serial killers and serial killing.

Thesis (Ph. D.)--University of Chicago, Dept. of English Language and Literature, August 2002. / Includes bibliographical references. Also available on the Internet.

The study is a psychobiographical study, aiming to explore and describe the life of John Wayne Gacy. He was a well-respected man in his community, entertaining the neighbourhood as Pogo the clown. But there was a dark side to his nature that he tried to keep hidden; yet glimpses of it appeared throughout his life. This dark side was exposed to the public when the police found twenty-seven dead bodies ranging from boys of nine to young men twenty years of age hidden in his basement. The study utilises the Erikson’s psychosocial developmental theory in order to examine Gacy’s life and attempt to establish unique character traits. The study utilises a qualitative single case study approach, and the subject was selected through purposive sampling based on interest value. Archival data was collected from secondary sources to enhance validity. Data was analysed by first organising and reducing information obtained; and then displaying it for discussion of Gacy’s life. Gacy’s life was reconstructed from birth, through adolescence and adulthood and his death. The findings suggest that the theoretical approach considered the biopsychosocial as well as cultural and historical influences of situations and experiences in Gacy’s personality development throughout his lifespan. The main themes of discussion centre around the abuse he experienced and the influence this had on his development, the lack of crisis resolution and thus achievement of virtues, Gacy’s lack of difficulty in establishing attachment and the resulting narcissism and lack of self-abandon, as well his homosexuality, sadism and the murders he ultimately committed. The study highlighted the importance of psychobiographical studies and the value of Erikson’s theory in understanding development. Recommendations for future research in this field was made in the hope of further uncovering and understanding the personality and its development.

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This study examines the coverage of serial killers David Berkowitz, Richard Ramirez, and Dennis Lynn Rader in the Chicago Tribune and the Washington Post. The 30-day period following the arrest of each killer was studied using a content analysis to identify whether the coverage focused on crime prevention, as suggested by the public health model. The study also sought to identify whether the themes of coverage changed over time. The content analysis indicated that there was a change in the themes of coverage over time, and that more attention was paid to the history of the case than to crime prevention. / Department of Journalism

Zugl.: Bielefeld, Universiẗat, Diss.