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1	"The awful babble of that calling" the personal myth of the madwoman in the poetry of Anne Sexton / Nucifora, Joan Ellen. January 1900 (has links) Thesis--University of Wisconsin--Madison. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 303-319). Sexton, Anne
2	Die Todesthematik im lyrischen Werk Anne Sextons / Socha, Monika. January 1991 (has links) Diss.--Saarbrücken--Universität, 1991. Sexton, Anne, Mort
3	The Sexton cycle : settings of Sexton for soloists, chamber ensembles, and tape / Madsen, Pamela A. Sexton, Anne, January 2000 (has links) Thesis (Ph. D.--Music)--University of California, San Diego. / Vita. Includes scores for most of the instrumental works within the composer's The Sexton cycle; excludes opening work, What's that, and the purely tape Redcuts. Accompanying tape includes recordings of the sections, Hutch, The red shoes, Redcuts, and Demon (extract) from Consorting with angels. Sexton, Anne Song cycles.
4	The transforming art of Anne Sexton / Marusza, Julie A. January 1993 (has links) By using rigorous conventional structure in her early work Anne Sexton was able to successfully contain some of her severe psychological instabilities stemming from childhood in poetic form. Sexton's artistic direction underwent a sharp change midway into her poetic career after she wrote the volume Transformations, a collection of story-poems based on narratives from the Grimm fairy tales. In this collection, Sexton took on the external persona of a witch, and with her new voice, she was boldly able to re-tell her version of the Grimm tales. The new persona enabled Sexton to shed her previous voice of passivity, and instead criticize humanity by using satire and humor. Unfortunately, this movement in her work was an exercise in self-exploitation as the larger, cultural arena of Grimm put off any chance of working out her private problems. After Transformations Sexton had come to the realization of her self-exploitation and decided to even further separate herself from humanity by continuing to work with even more generalized, cultural forms--a movement that ultimately led her to mythologize her own death.
5	The transforming art of Anne Sexton / Marusza, Julie A. January 1993 (has links) No description available.
6	Live or Die unmasking the mythologies of Anne Sexton's poetry / McKenna, Edward Francis. January 2008 (has links) (PDF) Thesis (MA)--Montana State University--Bozeman, 2008. / Typescript. Chairperson, Graduate Committee: Linda Karell. Includes bibliographical references (leaves 98-104).
7	Mustang Sally pays her debt to Wilson Pickett / Boswell, Marta January 2001 (has links) Thesis (Ph. D.)--University of Missouri-Columbia, 2001. / Typescript. Vita. Includes bibliographical references (leaves 32-33). Also available on the Internet.
8	Mustang Sally pays her debt to Wilson Pickett Boswell, Marta January 2001 (has links) Thesis (Ph. D.)--University of Missouri-Columbia, 2001. / Typescript. Vita. Includes bibliographical references (leaves 32-33). Also available on the Internet.
9	Revealing the wizard behind the curtain : deconstructivist fairytale politics in the works of Margaret Atwood, Anne Sexton, and Angela Carter / Hood, James Devin. January 2009 (has links) Thesis (Honors)--College of William and Mary, 2009. / Includes bibliographical references (leaves 112-119). Also available via the World Wide Web.
10	Das perspektiverzeugende Medium in der "Confessional Poetry" am Beispiel von Sylvia Plath, Anne Sexton, Robert Lowell und John Berryman Steffen, Jorge. Unknown Date (has links) (PDF) Berlin, Techn. Universiẗat, Diss., 2008.

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