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A study of mumming in Shakespearean dramaRyno, Marie Fleisher January 1948 (has links)
No description available.
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The shares of Shakespeare and Fletcher in Henry VIIIWindsor, David Lawrence, 1921- January 1951 (has links)
No description available.
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The application of Bradley's theory of reconciliation to certain of Shakespeare's playsWood, Theresa Whelan, 1898- January 1935 (has links)
No description available.
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Shakespeare's Roman playsOwens, Esther Webb, 1901- January 1941 (has links)
No description available.
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Shakespeare and the Earl of EssexReynolds, Florence Saradell, 1921- January 1943 (has links)
No description available.
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A project: Shakespeare on the desertEmerson, Paul H. January 1964 (has links)
No description available.
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Eine Untersuchung der Lenzschen Übertragungen von Shakespeares : Love's labour's lost (Amor vincit omnia) und Coriolan.Smith, Arnold Ian January 1971 (has links)
No description available.
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The argument against tragedy in feminist dramatic re-vision of the plays of Euripides and Shakespeare /Burnett, Linda Avril. January 1998 (has links)
This dissertation examines the arguments against tragedy offered by feminist playwrights in their "re-visions" of the plays of Euripides and Shakespeare. / In the first part, I maintain that feminist dramatic re-vision is one manifestation of an unrecognized tradition of women's writing in which criticism is expressed through fiction. I also argue that the project of feminist dramatic re-vision embodies a feminist "new poetics." / In the second part, I examine the aesthetics and politics of tragedy from a feminist perspective. Feminist arguments against tragedy are, in effect arguments against patriarchy. But it is the theorists and critics of tragedy---not the playwrights---who are unequivocally aligned with patriarchy. Playwrights like Euripides and Shakespeare can be seen to destabilize tragedy in their plays. / In the third part, I show how recent feminist playwrights (Jackie Crossland, Dario Fo and Franca Rame, Deborah Porter, Caryl Churchill and David Lan, Maureen Duffy, Alison Lyssa, The Women's Theatre Group and Elaine Feinstein, Joan Ure, Margaret Clarke, and Ann-Marie MacDonald) counter tragedy by extrapolating from the arguments presented by Euripides and Shakespeare in The Medea, The Bacchae, King Lear, Hamlet, Romeo and Juliet and Othello , and by allocating voice and agency to their female protagonists.
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Studien zu Goethes Bearbeitung von Shakespeares "Romeo und Julia".Haywood, Bruce. January 1951 (has links)
Ob ein literarisches Kunstwerk von einer spaeteren Generation, im Lichte von dessen Zeit und Kunstanschauung, umgedichtet werden darf, ist eine Frage, die die Kunstkritiker und -historiker lange beschaeftigt hat. Diejenigen, die vor allem die Eigentuemlichkeit eines Genies preisen, werden jede Bearbeitung, jede Auslassung, jeden Zusatz, wodurch die urspruengliche Gestalt und das Wesen des Originals bedroht werden, bekaempfen. [...]
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Hubert Aquin, faussaire d'HamletMadsen, Gunhild Lund. January 1983 (has links)
No description available.
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