The relationship between sacred (communal, public) and profane / No abstract available. / Thesis (M.Soc.Sc.)-University of Natal, Durban, 1994.

This study examines the sacred dance in the Nazaretha Church and Isaiah Shembe's hymns as “agency” and not “response” (Coplan, 1994: 27). A number of studies on the Nazaretha Church and Isaiah Shembe posit that Shembe created his popular texts (especially the sacred dance) as a response to colonialism and the oppression of black people. In countering such a proposition I argue that in exploring the sacred dance we need to look at the motivation for members to participate in the dance. With that view in mind, I examine the sacred dance and the hymns as examples of a popular culture which is both „transnational‟ and „transglobal‟, to use Hofmeyr‟s terms (2004). This is because it is common in the Nazaretha Church that members taking part in the sacred dance claim to be doing so on behalf of their dead relatives, as it is believed that ancestors are able to participate in those dances through the bodies of their living relatives. In return, those in the ancestral realm will reward the living performers by offering them „blessings‟. In the Nazarite Church, and through performances like the sacred dance, the physical and spiritual worlds are perceived to be integrated. I therefore examine these hymns and performances as examples of popular culture “that is more than sub- or trans-national, [that] is trans-worldly and trans-global” (Hofmeyr, 2004: 9). In other words, I examine the sacred dance as performances and the hymns as texts whose audience is not only living people but also people in heaven. This means my study goes beyond the view that Nazarite performances are rituals of empowerment for the members, a majority of whom are economically, socially and politically marginalised (Muller, 1999), to look at them as significant on their own account. In undertaking the abovementioned task, I examine these hymns and performances in relation to “oral testimony of their significance to the people who [perform] and [listen] to them” (White, 1989: 37). Oral testimony of dreams and miracles suggests that Nazarite members who take part in the sacred dance do so primarily because of the imagined relationship between the individual and divine power. As Mbembe states, “it is the subject‟s relation to divine sovereignty that serves as the main provider of meanings for most people” (2002: 270). I argue that Nazarite members take part in the sacred dance mainly as an attempt to “manage the „real world‟ on the basis of the conviction that all symbolisation refers primarily to a system of the invisible, of a magical universe, the present belonging above all to a sequence that opens onto something different” (270). / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2010.

African encounter with the Bible is different from their encounter with Christianity. This thesis looks at different stages of African reception and appropriation of the Bible in African prophecy. The appropriation of the Bible by Africans is important to look at because it allows them to use their own thought pattern in order to understand the Word of God. Isaiah Shembe (1870-1935) is one of the AlC's prophets who sought to revitalize his Zulu community after the dispossession of their cultural identity in the name of Christianity. He did .. this through his different hermeneutical interpretation of imibhalo eNgcwele (Holy Scriptures) and through his maintenance and revival of social customs. When missionaries came with the Bible in Africa there also came with them colonialists and it is evident that the two went together. Africans did not only see the Bible as a tool for western colonialism but also as a book of numinous powers. However, it was not long before Africans realized that there was nothing wrong about the "Book" because when they could read it for themselves they realized that the Book portrays a life that is similar to theirs. The researcher sought to separate the Bible from Christianity in order to understand different stages of the reception of the Bible in Africa. This thesis, then looks at the appropriation of the Bible in African prophecy. It argues that in African prophecy the Bible is used to renew African society. This is done by examining and contrasting the material of two Zulu prophets Isaiah Shembe and George Khambule. These two prophets who emerge in the time of the destruction of the Zulu society have a religious experience that sought to restore and renew Zulu community. This is seen in the way they interpreted and enacted the promise of the New Jerusalem in the Book of Revelation among their communities. / Thesis (M.Th.)-University of KwaZulu-Natal, Pietermaritzburg, 2006. / Draper, Jonathan A.

This study investigates the function of dreams and visions in the Shembe church at Inanda. It looks at who Isia Shembe (the church founder) and his lineage are to Shembeites, the nature of the relationship between Shembe and the amadlozi (ancestors) and what roles they play in Shembeite life. The data was collected using qualitative methodology - in-depth interviews that were transcribed and where necessary, translated. The study is best understood within a structural-functionalism framework, which accounts for the social and cultural aspects of the religion. The study concludes that Isia Shembe and his lineage are generally thought of as prophets through whom God works. Shembe and the amadlozi often work as a unit and perform the roles of converter, purveyors of good fortune and guides or directors. In addition, Shembe solely performs the roles of cultural leader and mediator between Shembeites and the amadlozi and between Shembeites and God. Dreams and visions function to guide Shembeites, as communication with the spiritual realm, as a method of conversion and as re-affirmations of faith. / Thesis (M.A.)-University of Natal, Durban, 2003.