The following work consists of a study of the morphology of some of the Central Shona dialect-groups, with two prefatory chapters which deal with Central Shona phonetics and phonology. Of the Central Shona dialect-groups I have taken Zezuru as my standpoint. It is true that the main differences between the dialect-groups lie in phonetics and vocabulary and not in morphology; nevertheless the work has a Zezuru slant to it while applying very largely to the Karanga and Manyika dialect-groups as well. I think I may claim to present here a Central Shona morphology. Where special forms exist peculiar to a single dialect-group or to a single dialect, I have indicated their incidence. For my Zezuru information I have relied, in the main, on the Shawasha and Mbire dialects. The Karanga which I present is that of Govera, (e.g. the form found in Mrs. C.S. Louw's Manual of Chikaranga) with some Mari which is presented as an extreme form of Karanga. The Manyika presented is that of the Unyama and Guta dialects. I have not used Karombe which is termed by Professor Doke the peak form of Manyika.

Thesis (M.A.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

No description available.

In this paper, the speech patterns of eleven individuals living in the Eastern half of Rhodesia are described and compared. Each individual was selected as being representative of a number of localities described in the map below. The first part of the paper is concerned with the abstraction of comparable linguistic units from the dialects. These units are abstracted at various levels of analysis and unit categories include phonemes, tonemes, morphophonemes, tonomorphemes and morphemes. Each unit category is described in relation to the general structural framework of the dialects established by a sentence analysis. The units so abstracted and described constitute the distinctive attributes of each dialect. In part two the dialects are compared and classified by computer according to their correspondence to approximately one thousand selected properties.

Thesis (M.A.)--Denver Seminary, 1997. / Includes bibliographical references (leaves 90-92).

Thesis (Ph. D.)--University of Washington, 1990. / Vita. Includes bibliographical references (leaves [358]-362).

Given names, amongst the Shona people, are an occurrence of language use for specific purposes. This multidisciplinary ethnographic 1890-2006 study explores how insights from pragmatics, semiotics, semantics, among others, can be used to glean the intended and implied meaning(s) of various first names. Six sources namely, twenty seven NADA sources (1931-1977), one hundred and twenty five Shona novels and plays (1957-1998), four newspapers (2005), thirty one graduation booklets (1987-2006), five hundred questionnaires and two hundred and fifty semi-structured interviews were used to gather ten thousand personal names predominantly from seven Shona speaking provinces of Zimbabwe. The study recognizes current dominant given name categories and established eleven broad factors behind the use of given names. It went on to identify twenty-four broad based theme-oriented categories, envisaged naming trends and name categories. Furthermore, popular Shona male and female first names, interesting personal names and those people have reservations with have been recognized. The variety and nature of names Shona people prefer and their favoured address forms were also noted. The study reckons that Shona first names came as a result of unparallel anthroponomastic and linguistic innovation exuded by the Shona people in their bid to tame their reality. The study uses an anthroponym-pragma-semio-semantic decompositional theory, approximation model, contextualized implicature, maxims of brevity and tactfulness as the best approaches for explaining the varied meanings personal names embody. The study argues that it has made significant contributions to the body of knowledge in disciplines such as semantics, semiotics, pragmatics, anthropology, linguistics, sociology, history, geography, religion, education, philology, morphology and syntax, among others. / African Languages / D. Litt. et Phil. (African Languages)

This study falls under the broad area of child language acquisition with specific focus on Shona morphosyntax. The understanding that knowledge of the nature of child language contributes to the sustainability of language acquisition matters forms the basis of the investigation. A qualitative approach is followed in the study, specifically focusing on the constraints on the development of inflectional morphemes (IMs) in the acquisition of nouns and verbs in child Shona. The study investigates the development of child Shona inflectional morphology and how morphology interacts with syntax. The constraints that operate in the acquisition of Shona are identified. The study refers to linguistic theories for an account of the development of child Shona morphosyntax. The study is based on the understanding that knowledge of the nature of child language contributes to the sustainability of language acquisition matters. The data used in this study is collected from four Shona speaking children. The ages of the children range from two years (2; 0) to three years and two months (3; 2). Two female and two male children participated in this study. The primary method of data collection used in this study is the naturalistic method, while elicitation is used to elicit plural formation. The results indicate that child Shona morphosyntax is characterized by omission of the various inflectional morphemes on nouns and verbs, while the lexical morphemes are retained. The child Shona IM is phonologically different from the adult Shona IM. This is because the children are constrained and hence use simplification strategies in order to try to be faithful to the input grammar. The noun and verb IMs are produced in the form of a reduced syllable, because the children dropped the consonant in the IM syllable and retained the vowel. The study reveals that the development of child Shona morphosyntax is based on pivotal constituencies of the sentence. These pivots are the nouns and verbs that are used by the children. The study identifies constraints that operate on the process of child Shona development as phonological, morphological, semantic, visibility and frequency constraints. The finding that is arrived at through this study is that syntax is in place before morphology. / African Languages / D. Litt. et Phil.

Thesis (PhD)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: The study explores the post-2000 popular song genre (expressed in Shona) in order to analyze its rhetorical potential in its appropriation as a medium for the construction and contestation of meanings concerning land, history and selected (political, social and religious) identities. The goal is to discover how the turbulent post-2000 period in Zimbabwe is narrativized through the lyrics of popular songs. The rationale to focus on popular songs in the context of this period was my observation of the uniquely high level of appropriation of the popular song in the Zimbabwean public sphere by political parties and the ordinary people to communicate various discourses (of their interest). The period surpasses by far the pre-2000 era in its rate of output of songs. Old songs were revived and new ones composed while new musical genres emerged and existing ones thrived. I also noted in previous researches gaps in both theoretical and coverage of the analyses of popular songs in Zimbabwe. There is little in terms of linguistically-rooted approaches while analyses are largely limited to politically-inspired songs. I therefore, besides the politically-oriented songs, also explore socially and religiously-oriented songs. I adopt a multi-perspective approach combining APPRAISAL, genre, “small stories/voices” and the “rediscovery of the ordinary” frameworks to study the rhetorical property and capacity (to communicate) of the popular song. I employ the APPRAISAL theory to deal with the songs’ language of evaluation in terms of the authorial stances and ideological positions singers adopt. I utilize the genre theory in making a typology of the various popular song texts on the basis of their communicative properties (which determine their rhetorical purposes). I employ the remaining theories to classify the songs into three clusters (‘grand narrative songs’; ‘small stories/voices songs’ and ‘songs of ordinary life’) based the sources of their ideological concerns. In pursuit of the connection between the songs’ language and its communicative effects, I note in chapters two, four, five and six, the high level of intertextuality the post-2000 popular song has assumed. I argue that the unique intertextuality can be explained in relation to the high demands being placed on the language of the song texts by composers and singers in a context in which the state and opposition are pitted in an intense competition for the “power to mean”. The state appropriates the popular song to demonize and delegitimate the opposition at the same time legitimating its hegemony, based on patriotic discourses derived from chimurenga (nationalist) grand narrative values. On the other hand, the opposition manipulates the popular song to legitimate its struggle for change through counter-state discourses exposing Zanu-PF’s political vices and debasing its power. The ordinary people also appropriate the popular song in their struggle to resolve issues of personal concern in their attempt to give meaning to their lives. It is therefore the study’s main thesis that the popular song in post-2000 Zimbabwe narrativizes the period in unique ways as illustrated through the manipulation of its rhetorical potential to construct meanings concerning land, history and identities. / AFRIKAANSE OPSOMMING: Die studie het die populêreliedjiegenre (in Shona uitgedruk) ná 2000 verken om die retoriese potensiaal by die aanwending as ʼn medium vir die konstruksie en omstredenheid van betekenisse rakende grond, geskiedenis en geselekteerde (politieke, maatskaplike en godsdienstige) identiteite te ontleed. Die doel was om vas te stel hoe die turbulente tydperk ná 2000 in Zimbabwe deur die lirieke van populêre liedjies aangebied word. Die rasionaal om op populêre liedjies teen die agtergrond van hierdie tydperk te fokus was my waarneming van die buitengewoon hoë vlak van aanwending van die populêre liedjie in die Zimbabwiese openbare sfeer deur politieke partye en gewone mense om verskillende diskoerse (tot eie voordeel) te kommunikeer. Die tydperk oortref verreweg die tydperk voor 2000 wat betref die spoed waarteen liedjies verskyn. Ou liedjies is opgediep en nuwes is gekomponeer terwyl nuwe musiekgenres na vore gekom en bestaandes floreer het. Ek het ook leemtes in vorige navorsing opgemerk, beide ten opsigte van die teoretiese ontledings van populêre liedjies in Zimbabwe en die dekking daarvan. Daar bestaan min inligting ten opsigte van linguisties-begronde benaderings terwyl ontledings hoofsaaklik beperk is tot polities-geïnspireerde liedjies. Ek het dus, afgesien van die polities-georiënteerde liedjies, ook liedjies wat sosiaal en godsdienstig geïnspireer is, ondersoek. Ek het ʼn multiperspektiefbenadering ingeneem en raamwerke met betrekking tot WAARDEBEPALING, genre, “klein stories/stemme” en die “herontdekking van die gewone” gekombineer om die retoriese eienskap en kapasiteit (om te kommunikeer) van die populêre liedjie te bestudeer. Ek het die teorie van WAARDEBEPALING aangewend ten einde aan die liedjies se evalueringstaal ten opsigte van die standpunte wat die skrywers inneem en ideologiese posisies van die sangers aandag te gee. Ek het die genreteorie gebruik om ʼn tipologie van die verskillende populêre liedjietekste op grond van hulle kommunikatiewe eienskappe (wat hulle retoriese doelwitte bepaal) op te stel. Ek het die oorblywende teorieë gebruik om die liedjies in drie groepe te klassifiseer (‘meesternarratief-liedjies’, ‘liedjies oor klein stories/stemme’ en ‘liedjies oor die gewone lewe’) gebaseer op die bronne van hulle ideologiese besorgdhede. In ʼn soeke na die skakeling tussen die taal van die liedjies en die kommunikatiewe effekte daarvan, wys ek in hoofstukke twee, vier, vyf en ses op die hoë vlak van intertekstualiteit wat die populêre liedjie ná 2000 aangeneem het. Ek voer aan dat die unieke intertekstualiteit verklaar kan word in verhouding met die hoë eise wat deur komponiste en sangers aan die taal van die liedjies se tekste gestel word in ʼn konteks waarin die staat en opposisie in konflik verkeer in ʼn intense wedywering om die “mag om te beteken”. Die staat eien hulle die populêre liedjie toe ten einde die opposisie te demoniseer en te delegitimeer en terselfdertyd sy hegemonie te legitimeer, gebaseer op patriotiese diskoerse afgelei van chimurenga (nasionalistiese) waardes van die meesternarratief. Aan die ander kant, die opposisie manipuleer die populêre liedjie om sy stryd om verandering te legitimeer deur diskoerse te weerlê en so Zanu-PF se politieke gebreke aan die kaak te stel en sy mag te verminder. Jan Alleman en sy maat eien hulle ook die populêre liedjie toe in hulle stryd om kwessies van persoonlike kommer uit die weg te ruim in hulle poging om betekenis aan hulle lewens te gee. Dit is dus hierdie studie se hoofhipotese dat die populêre liedjie in Zimbabwe ná 2000 die tydperk op unieke wyses beskryf soos geïllustreer deur die manipulasie van die retoriese potensiaal daarvan om betekenisse rakende grond, geskiedenis en identiteite te konstrueer.

Given names, amongst the Shona people, are an occurrence of language use for specific purposes. This multidisciplinary ethnographic 1890-2006 study explores how insights from pragmatics, semiotics, semantics, among others, can be used to glean the intended and implied meaning(s) of various first names. Six sources namely, twenty seven NADA sources (1931-1977), one hundred and twenty five Shona novels and plays (1957-1998), four newspapers (2005), thirty one graduation booklets (1987-2006), five hundred questionnaires and two hundred and fifty semi-structured interviews were used to gather ten thousand personal names predominantly from seven Shona speaking provinces of Zimbabwe. The study recognizes current dominant given name categories and established eleven broad factors behind the use of given names. It went on to identify twenty-four broad based theme-oriented categories, envisaged naming trends and name categories. Furthermore, popular Shona male and female first names, interesting personal names and those people have reservations with have been recognized. The variety and nature of names Shona people prefer and their favoured address forms were also noted. The study reckons that Shona first names came as a result of unparallel anthroponomastic and linguistic innovation exuded by the Shona people in their bid to tame their reality. The study uses an anthroponym-pragma-semio-semantic decompositional theory, approximation model, contextualized implicature, maxims of brevity and tactfulness as the best approaches for explaining the varied meanings personal names embody. The study argues that it has made significant contributions to the body of knowledge in disciplines such as semantics, semiotics, pragmatics, anthropology, linguistics, sociology, history, geography, religion, education, philology, morphology and syntax, among others. / African Languages / D. Litt. et Phil. (African Languages)