The work grafted hymnologies, a piece for chamber orchestra, explores connections between twentieth century formalist compositional techniques and formalist techniques of pretonal music. This document, which accompanies the score for the piece, provides an analysis of the work that explains the various techniques and their application to the music. This piece is composed in five large sections. The work pairs compositional techniques associated with pre-tonal music from those of twentieth century modernist music. For example, the second section employs the Medieval idea of tropes-- each time the melody is repeated, new melodic material is added, in the style of the elaborations to the Gregorian repertory that were common as early as the tenth century. This is paired with a single pitch class drone that evolves by timbral modulation, a technique influenced in part by Schoenberg and carried out exactingly by Elliot Carter. Each section contains a similar pairings, which are explained in detail herein. That these kinds of pairings could co-exist in a single piece seems natural; certainly, the intricate formalism that appeared in some Western concert music before 1600 exhibits a certain degree of aesthetic concurrence with the formalist music of the early to mid- twentieth century. Artistically, reaching back to the past (both near and far) and creating something new is an interesting exploration of how history can inform the creative process. / text

<p> Hearing provides a vital means for infants to discover their environment and communicate with their caregivers. Identifying and discriminating the pitch of sounds is critical for infants in order to acquire information from speech and music. Therefore, how infants process pitch is a fundamental question in research on auditory development. The focus of this dissertation is the use of auditory event related potentials (ERPs) derived from electroencephalogram (EEG) recordings to examine the maturation of pitch perception in early infancy. </p> <p> Pitch perception in adults has been extensively studied, but little is known about the development of pitch perception during early infancy. Infant mismatch responses (MMRs) are ERP components that are elicited by infrequent changes in auditory stimuli. MMR is a promising tool to study infant pitch perception because it can be elicited without attention or a behavioural response. However, previous studies on MMRs in infants have reported inconsistent results, some reporting frontally positive responses while others report frontally negative mismatch responses. In Chapter 2, we examined MMRs to simple pitch changes in infants between 2 and 4 months of age and found both types of infant MMRs are present, but the morphological distributions and developmental trajectories are different. In Chapter 3, we reported that both types of infant MMRs are affected similarly by the amplitude of pitch change but only the positive MMR becomes stronger when stimulus presentation rate increases, which suggests different neural mechanisms for the two types of infant MMRs. The studies reported in Chapter 4 found that only the negative MMR can be elicited readily by changes in pitch patterns, suggesting that it may be functionally similar to mismatch negativity (MMN) in adults. </p> <p> The experiments in Chapter 5 used MMR as the indication of whether infants automatically integrate the frequency components of a complex tone into a single pitch percept, even when the fundamental frequency component (corresponding to the pitch) is removed. Previous studies show that adult MMN is elicited by a pitch change in such tones missing the fundamental. Previous behavioural studies using a conditioned head tum method show that 7-month-olds also perceive pitch with tones missing the fundamental. The results of the present study indicate that infants as young as 4 months of age integrate components into a single pitch percept, but evidence for this in younger infants could not be found. </p> <p> In conclusion, the current dissertation established a promising procedure utilizing infant MMR to study infant pitch perception and contributed to the knowledge of early development of pitch perception by demonstrating dramatic changes in brain response to pitch in harmonic tones in infants between 2 and 4 months old, and to pitch in tones in infants missing the fundamental between 3 and 4 months old . </p> / Thesis / Doctor of Philosophy (PhD)

The aim of this diploma thesis is the design of bearing construction of the Exhibition gallery in Olomouc. The building is of irregular shape with the biggest span of 50 m. The bearing structure in the highest point goes up to 14,6 m. The main design material is the glue-laminated timber GL24h and GL32h. The optimization of chosen parts of the structure has been made and the best option was then used in the detailed structural calculation. The bearing structure consists of circular columns to which the floor beams and roof trusses are connected. The irregular structure of the gallery comprises of three different roof types – flat trafficable roof, double-pitched glass roof formed by pitched cambered trusses and single-pitch roof spanning over the central part of a 20,7 m span. Within the thesis the design and check of the main structure members and connections has been made. The entire structure is pinned and its stiffness is secured by the system of tension rods and rigid floor and roof construction respectively.