朱耀光. / Thesis (M.A.)--香港中文大學, 1991. / Manuscript (computer printout). / Includes bibliographical references (leaves 152-163). / Zhu Yaoguang. / Thesis (M.A.)--Xianggang Zhong wen da xue, 1991. / 序言 --- p.i / 撮要 --- p.iv / Chapter 第一篇 --- 十九世紀中國:一個巨型的社會現象 / Chapter 第一章 --- 導論 --- p.1 / Chapter 第二章 --- 秘密社會之定義及類型 --- p.4 / Chapter 第三章 --- 十九世紀中國秘密社會運動 --- p.11 / Chapter 第二篇 --- 研究秘密社會運動之方法與理論 / Chapter 第四章 --- 研究方法 --- p.16 / Chapter 一. --- 資料來源 / Chapter 二. --- 個案分析 / Chapter 第五章 --- 社會運動之理論 --- p.21 / Chapter 一. --- 宏觀角度：運動之興起 / Chapter 1. --- 滿漢矛盾理論 / Chapter 2. --- 階级鬥爭理論 / Chapter 3. --- 政治效率理論 / Chapter 4. --- 救贖信仰理論 / Chapter 二. --- 微觀角度：個人之參與 / Chapter 1. --- 政治動機理論 / Chapter 2. --- 本土政治理論 / Chapter 三. --- 資源動員之分析架構 / Chapter 第三篇 --- 中國秘密社會之動員：白蓮教運動之個案硏究 / Chapter 第六章 --- 十九世紀中國秘密社會之動員模式 --- p.48 / Chapter 一. --- 结構性資源之分配模式 / Chapter 二. --- 秘密社會之組織性資源 / Chapter 三. --- 秘密社會之催發性資源 / Chapter 第七章 --- 白蓮教運動之歴史背景 --- p.73 / Chapter 一. --- 發展源流 / Chapter 二. --- 意識形態 / Chapter 三. --- 組織結構 / Chapter 第八章 --- 1796´ؤ1805年白蓮教運動之個案分析 --- p.79 / Chapter 一. --- 資源動員之過程 / Chapter 1. --- 運動的冒起：資源之累積 / Chapter 2. --- 運動的擴張：資源之競爭 / Chapter 3. --- 運動的回落：資源之轉化 / Chapter 4. --- 運動的沉寂：資源之喪失 / Chapter 二. --- 社會後果之分析 / Chapter 1. --- 資源管理模式之調整 / Chapter 2. --- 資源分配模式之調整 / Chapter 三. --- 小結 / Chapter 第九章 --- 總結 --- p.139 / Chapter 一. --- 研究成果之撮要 / Chapter 二. --- 硏究成果之反思 / 注釋 --- p.149 / 參考書目 --- p.163

Thesis (M.Phil.)--Chinese University of Hong Kong. / Bibliography: leaves 165-183.

林志光. / "1999年12月" / 論文 (哲學碩士)--香港中文大學, 2000. / 參考文獻 (leaves 118-129) / 附中英文摘要. / "1999 nian 12 yue" / Lin Zhiguang. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000. / Can kao wen xian (leaves 118-129) / Fu Zhong Ying wen zhai yao. / 引言 --- p.1 / Chapter 第一章 --- 明代宮廷焚香的槪況與瓷爐的使用 --- p.3 / Chapter 一、 --- 明代皇室焚香槪況 --- p.3 / Chapter 二、 --- 明官窯香爐的使用 --- p.9 / Chapter 第二章 --- 由漢代至元代陶瓷香爐的造型演變及其影響 --- p.19 / Chapter 一、 --- 漢唐陶瓷香爐造型演變槪論 --- p.19 / Chapter 二、 --- 宋代的復古變格與元代瓷爐造型的影響 --- p.22 / Chapter 三、 --- 香藥的使用與香爐的造型 --- p.29 / Chapter 第三章 --- 明代官窯瓷爐的分析 --- p.36 / Chapter 一、 --- 明代官窯瓷爐類別 --- p.36 / Chapter 二、 --- 明官窯瓷爐造型及紋飾的演變 --- p.61 / Chapter 第四章 --- 明代官窯瓷爐的文化內涵 --- p.70 / Chapter 一、 --- 皇權的象徵 --- p.70 / Chapter 二、 --- 統治者的藝術品味 --- p.76 / Chapter 三、 --- 具有宗教色彩的紋飾 --- p.82 / Chapter 四、 --- 帝王渴望長壽的反映 --- p.94 / Chapter 第五章 --- 明代官窯香爐的存疑問題 --- p.105 / Chapter 一、 --- ¯‘ة未發現官窯香爐的時期 --- p.105 / Chapter 二、 --- 存疑爐式 --- p.110 / 結論 --- p.114 / 附錄一：參考書目 --- p.118 / 附錄二 ：明代歷朝的瓷爐造型 --- p.130 / 附錄三：圖版資料 --- p.131 / 圖版

Yung King-fung Phoenix. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 203-208). / Abstracts in English and Chinese. / Chapter Chapter 1 --- Introduction --- p.1 / Chapter 1.1 --- Scope of the Studies / Chapter 1.2 --- Reasons of Choosing the Nepalese Case / Chapter 1.3 --- Ethnic Studies in Hong Kong / Chapter 1.4 --- Layout of the Thesis / Chapter Chapter 2 --- Literature Review --- p.9 / Chapter 2.1 --- The Origin of the Discourse / Chapter 2.2 --- Special Features of Social Exclusion Approach / Chapter 2.3 --- Three Paradigms of Social Exclusion / Chapter 2.4 --- Remarks on Citizenship / Chapter 2.5 --- Unanswered Questions / Chapter 2.6 --- Remarks on Methods / Chapter Chapter 3 --- The Nepalese Community in Hong Kong --- p.38 / Chapter 3.1 --- Historical Background and Settlement Pattern / Chapter 3.2 --- Recent Population Trends / Chapter Chapter 4 --- The Problematic Community: Modes of Social Exclusions Against the Nepalese --- p.52 / Chapter 4.1 --- Cultural Exclusion: Inaccessible Cultural Capital / Chapter 4.2 --- Economic Exclusion: 4D Work / Chapter 4.3 --- Civil Exclusion: Second-class Citizens and Distanced Friends / Chapter 4.4 --- Political Exclusion: Invisible Citizens / Chapter 4.5 --- Conclusion: the Marginal Man / Chapter Chapter 5 --- Malign Dynamics Among Modes of Exclusions --- p.127 / Chapter 5.1 --- Cultural Exclusion - Economic Exclusion / Chapter 5.2 --- Cultural Exclusion - Civil Exclusion / Chapter 5.3 --- Cultural Exclusion - Political Exclusion / Chapter 5.4 --- Economic Exclusion - Civil Exclusion / Chapter 5.5 --- Economic Exclusion - Political Exclusion / Chapter 5.6 --- Political Exclusion - Civil Exclusion / Chapter Chapter 6 --- Approaching Complete Citizenship --- p.163 / Chapter 6.1 --- A Divided Community: From FEONA to GNF / Chapter 6.2 --- Reluctance and Domination: Individual Level / Conclusion: We Have No Choice --- p.192 / References --- p.203 / Appendices / Chapter 1. --- List of interviewees / Chapter 2. --- Job History and Income / Chapter 3. --- Accommodation and Rent / Chapter 4. --- Map of Sun Tin，Yuen Long

by Law Yuk-fung, Cherry. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Includes bibliographical references (leaves 118-128). / Abstract also in Chinese. / Acknowledgments --- p.xi / Abstract --- p.xii / Chapter Chapter One: --- Introduction --- p.1-7 / Chapter 1.1 --- An overview / Chapter 1.2 --- Research questions / Chapter 1.3 --- Conceptualization of the research topic / Chapter 1.4 --- Objective and significance / Chapter Chapter Two: --- Literature Review --- p.8-30 / Chapter 2.1 --- Theoretical perspectives / Chapter 2.2 --- Researches on racism and biased representation in media / Chapter 2.3 --- Researches on domestic servants / Chapter 2.4 --- Limitations on past researches / Chapter Chapter Three: --- Methodology --- p.31-38 / Chapter 3.1 --- Textual analysis of cultural representations / Chapter 3.2 --- In-depth interviews / Chapter 3.3 --- Contextualization of the study / Chapter Chapter Four: --- A socio-historical analysis: the Coming of Filipino Maids in Hong Kong --- p.39-48 / Chapter Chapter Five: --- Cultural Representation of Filipino Domestic Helpers in Hong Kong --- p.49-81 / Chapter 5.1 --- Media images of Filipino domestic helpers in Hong Kong / Chapter 5.2 --- Public sentiments of Hong Kong people towards the Filipino domestic helpers (over certain social protests) / Chapter 5.3 --- Social practices of Hong Kong people towards the Filipino domestic helpers at societal level / Chapter Chapter Six: --- The Interplay between Cultural Representations and Social Practices ´ؤ Findings and Discussion --- p.82-112 / Chapter 6.1. --- General findings / Chapter 6.2. --- "Employers' perceptions, values and beliefs behind their social practices" / Chapter 6.3. --- Interplay between cultural representations and social practices / Chapter 6.4. --- Theoretical linkages with the findings / Chapter Chapter Seven: --- Conclusion --- p.113-117 / Bibliography / Appendices: / Chapter I. --- Core questions of the in-depth interviews / Chapter II. --- Interviewees' profile / Chapter III. --- Figures of employment of foreign domestic helpers in Hong Kong / Chapter IV. --- "Filipino maid suspected in child abuse, behavior being recorded" / Chapter V. --- Books targeted at Filipino maids' employers / Chapter VI. --- "A visual icon for a news story about ""TeleEye""" / Chapter VII. --- News photographs of Filipino domestic helpers about they are dressing too sexy / Chapter VIII. --- Visual elements in the advertisement of employment agencies for Filipino domestic helpers / Chapter IX. --- """Maria"" ´ؤ a popular comedy with Filipino maid, called ""Maria"", as central figure" / Chapter X. --- "News headlines using the Cantonese term “bun mui"""

Typescript (photocopy). / Digitized by Kansas Correctional Industries

This study develops a complicated analysis model to explore more understanding for fashion communication in Confucian culture background, especially for the latest Chinese fashion. The current study examines theoretical connections between media exposure, some psychological and social variables and fashion clothing involvement in Chinese society within a predictive framework. To better understand the relations between these psychological factors, social norms and fashion clothing involvement, this study also explores several effect models, such as moderation effect, mediation effect and mediated moderation effect. Two studies were conducted using both quantitative and qualitative methods. In the first study, the author collected data through a random sampling survey. To cross-validate the survey findings, a second study adopting the method of group interviews was conducted. Results indicate that fashion clothing involvement is a function of exposing to the media, achievement lifestyle, perception of success, peer influence, cognitive dissonance reduction, and comparing with others. The results also indicate the complicated relations, such as, lifestyle factor moderates the tie between media exposure and fashion clothing involvement; social comparison processes mediates the relationship between media exposure and fashion clothing involvement; self-discrepancy also influences the relationship as a moderator; notably, social comparison mediates the moderation effect from self-discrepancy. Individuals with high levels of self-discrepancy experience more negative emotion from comparing to thin-ideal image in fashion media than those with low levels. Another finding is that traditional media, particularly magazines, are as strong in explanatory power as new media (e.g. website) in the model of fashion communication. Theoretical implications of this study provide an advance in understanding the mechanisms underlying internalization and the use of social norms, furthermore, develop the knowledge of self related theories.

Typescript. / Digitized by Kansas Correctional Industries

Thesis. 1977. M.C.P.--Massachusetts Institute of Technology. Dept. of Urban Studies and Planning. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Bibliography : leaves 120-123. / M.C.P.

Quiet Dawn: Time, Aesthetics, and the Afterlives of Black Radicalism traces the unfulfilled utopian aspirations of the revolutionary past that haunt the present of the African diaspora. Taking its name from the final track on famed black nationalist musician Archie Shepp’s 1972 Attica Blues, this dissertation argues that the defeat of black radical and anticolonial projects witnessed during the turbulent years of the sixties and seventies not only represent past “failures” but also point to a freedom that has yet to arrive. Working at the convergence of literature, performance, and visual culture, Quiet Dawn argues that the unfinished projects of black and anticolonial revolution live on as radical potentialities that linger in the archive like a “haunting refrain.” Quiet Dawn offers a theory the haunting refrain of black sociality that emanates across seemingly disparate geopolitical nodes. The concept of the haunting refrain designates an affective register through which otherwise hidden and obscure regions of the past can be apprehended. The dissertation attends to the traces of black sociality that linger in the archive through an examination of the literary and critical works of black intellectuals such as Amiri Baraka, Nikki Giovanni, Kamau Brathwaite, Sylvia Wynter, Frantz Fanon, and Léopold Sédar Senghor. Rather than lay claim to political heroes, Quiet Dawn turns to the past in an attempt to give an account of the dispersed social forces that gathered around the promise of a black world. Each chapter offers an example of the haunting refrain of black social life that lingers in the past. In this way, the dissertation as a whole gives an account of the radical potentialities that register as hums, echoes, muted chants, and shadow songs of the “long sixties.” Quiet Dawn contributes to scholarship on black internationalism and intervenes in current critical debates around race, gender, and sexual violence in the fields of black studies, feminist studies, and postcolonial studies. Its theorization of black social life as a spectral presence is an attempt at attending to the other others that haunt contemporary critiques of power which merely seek redemption in an irredeemable world. To be sure, this project strikes neither an optimistic nor pessimistic note. Rather, it is rooted in the belief that there are infinite amounts of hope that we have yet to apprehend.