An investigation of the geological resources of the Southern Highlands was undertaken and over two hundred samples were collected and examined for possible use as stoneware ceramic ingredients. Thirty four of these samples were tested for possible use as clay body ingredients, while sixty five samples were selected for assessment as glaze ingredients. A wood fired kiln was built from firebricks produced from a local deposit of a white bauxite related material. Materials selected as a result of these tests were combined to create ceramic objects fired at stoneware temperatures. The most interesting result of the investigation was the discovery of a number of small weathered dykes and sills, samples from which were developed into workable ceramic clay bodies and glazes using a simple empirical testing procedure. A previously unknown excellent white translucent native porcelain stone or ‘bai tunze’ was discovered and developed into a workable porcelain body. Some iron stained porcelain bodies that ‘flashed’ red in the wood firing kiln were also developed. Exhibitions of the creative work produced were shown in the ‘Legge Gallery’, a Fine Art gallery in Sydney. Two critical reviews of those shows appeared in the magazine Craft Arts International, No. 64, 2005, pp 106-107 and The Journal of Australian Ceramics, Vol 46 #1 pp 21-24. Several papers were published detailing various aspects of the research: “The Search for Raw Materials in the Southern Highlands” in The Journal of Australian Ceramics, Vol 41#3, pp 22-23; “Flotation – A method of refining useful minerals”, in The Journal of Australian Ceramics, Vol 41#3, pp 24-25; “Magic Dirt” in The Journal of Australian Ceramics, Vol 46 #1 pp 76-79; “New work from an old landscape”, in Ceramics Technical, 24, 2007. pp 45-52;“From the ground up”, in Ceramic review, issue 222, 2006, pp 54-55. The research concludes that the Southern Highlands of New South Wales is geologically rich in suitable materials for the production of stoneware ceramics and that there are a few specific bai tunze like materials that are very interesting and have considerable aesthetic potential. The research determined that these bai tunze like materials are potentially capable of being developed into clay bodies and glazes of great beauty. / Doctor of Philosophy (PhD)

An investigation of the geological resources of the Southern Highlands was undertaken and over two hundred samples were collected and examined for possible use as stoneware ceramic ingredients. Thirty four of these samples were tested for possible use as clay body ingredients, while sixty five samples were selected for assessment as glaze ingredients. A wood fired kiln was built from firebricks produced from a local deposit of a white bauxite related material. Materials selected as a result of these tests were combined to create ceramic objects fired at stoneware temperatures. The most interesting result of the investigation was the discovery of a number of small weathered dykes and sills, samples from which were developed into workable ceramic clay bodies and glazes using a simple empirical testing procedure. A previously unknown excellent white translucent native porcelain stone or ‘bai tunze’ was discovered and developed into a workable porcelain body. Some iron stained porcelain bodies that ‘flashed’ red in the wood firing kiln were also developed. Exhibitions of the creative work produced were shown in the ‘Legge Gallery’, a Fine Art gallery in Sydney. Two critical reviews of those shows appeared in the magazine Craft Arts International, No. 64, 2005, pp 106-107 and The Journal of Australian Ceramics, Vol 46 #1 pp 21-24. Several papers were published detailing various aspects of the research: “The Search for Raw Materials in the Southern Highlands” in The Journal of Australian Ceramics, Vol 41#3, pp 22-23; “Flotation – A method of refining useful minerals”, in The Journal of Australian Ceramics, Vol 41#3, pp 24-25; “Magic Dirt” in The Journal of Australian Ceramics, Vol 46 #1 pp 76-79; “New work from an old landscape”, in Ceramics Technical, 24, 2007. pp 45-52;“From the ground up”, in Ceramic review, issue 222, 2006, pp 54-55. The research concludes that the Southern Highlands of New South Wales is geologically rich in suitable materials for the production of stoneware ceramics and that there are a few specific bai tunze like materials that are very interesting and have considerable aesthetic potential. The research determined that these bai tunze like materials are potentially capable of being developed into clay bodies and glazes of great beauty. / Doctor of Philosophy (PhD)

The Monaro Volcanic Province (MVP) is an Oligocene-Eocene intraplate basaltic lava field situated in the Southern Highlands of New South Wales between the towns of Cooma and Bombala. The lava pile of the MVP consists of basal sub-alkali rocks (olivine tholeiite, transitional basalt) capped by a number of thick ankaramite lavas, above which lie less numerous alkali rocks including alkali olivine basalt, nepheline basanite and olivine nephelinite. Intercalated with the lava flows are massive and matrix-supported alkali and ankaramitic hyaloclastites, alkali pillow basalts, rare tuffs, bauxitic weathering profiles, lacustrine sediments and reworked late Cretaceous to early Tertiary river gravels. The lava pile is intruded through by numerous volcanic plugs and dykes and rare maars. Volcanic centres are principally concentrated in two NW-SE trending zones parallel to major crustal-scale fractures in the Palaeozoic basement. Centres almost always lie over the intersections of two or more conjugate strike-slip or transverse fractures. The stratigraphy, whole-rock geochemistry and Sr and Nd isotopic signatures of rocks from the MVP indicate magma-genesis initially from an asthenospheric source with EM1 characteristics, gradually becoming more lithospheric with DM source characteristics. The long-lived nature of the MVP rules out a mantle plume-type source for magmas. Instead, a diapiric source is envisaged. The MVP mantle xenolith suite appears to have equilibrated at slightly higher temperatures for given pressures than the Newer Volcanics Province suite suggesting the palaeogeotherm for the MVP was slightly hotter than the "South East Australian" geotherm. Large amounts of amphibole (pargasitic hornblende, pargasite, ferroan pargasite and kaersutite) occuring within the more silica-undersaturated rocks of the MVP, and rarely within Iherzolitic xenoliths, are interpreted to have formed as selvages on mantle veins in contact with peridotite beneath the MVP. Amphiboles were later sampled by magmas rising through the same conduits and were brought to the surface. MVP ankaramite lavas feature < 2cm clinopyroxene porphyrocrysts, the cores of which are shown to have crystallised at ca. 18 kb pressure or ca. 54 km depth. This defines the base of the local crust within the MVP region. Data from the MVP support a landscape evolution model based on the isostatic rise of the Southern Highlands due to voluminous magmatic underplating since the Cretaceous. Data further support limited denudation since the Early Tertiary based on a pulsatory but high palaeogeotherm.

Master of Architecture / The period under consideration saw the growth and fruition of a radical approach to architectural design in the Government Architect's Branch of the New South Wales Public Works Department. High aesthetic standards were set: the application of these standards in an atmosphere of enthusiastic dedication produced a new, vital architectural expression for the public buildings of New South Wales. The quality of the Government Architect's work brought the Branch to the forefront of the architectural profession, whence it exerted a beneficial influence on many private practitioners. E.H. Farmer, the Government Architect of the period, gained the high respect of his peers and in 1972 he was awarded the R.A.I.A.'s Gold Medal - the highest honour which can be bestowed on a member. The early chapters of this study describe, in broad chronological order, the developments which took place in the Government Architect's Branch. Mention is also made of the influence which many leading architects, as well as other professionals, had on the Branch's design work. In later chapters the buildings designed by the Branch are classified into broad use-types and each type is then examined in chronological order. While this method of analysis necessitates some back-tracking and repetition, it provides a better understanding of the evolution of the various building types than would be provided by a broader survey. The appendices include a chronological list of significant events, in precis form, for convenient reference. Apart from a few short papers on specialised subjects, there has been no comprehensive documentation of the history of the Government Architect's Branch during the period being examined. Consequently the story of the Branch's development has been pieced together from interviews with many people who were members of the Government Architect's Branch during this period. Some accounts of events have appeared conflicting. It is natural that individual comment may be unintentionally biased. Every effort has been made by the author to present an accurate and balanced assessment. E.H. Farmer delivered the Hook Memorial Address on 11th May, 1973. In the course of this address the beliefs which contributed to his leadership of the Branch were succinctly revealed: "...if the voioe of the architect goes unheeded, humanity is that much closer to the abyss."

Bibliography : leaves 302-311 / 311 leaves : ill., maps ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of Anthropology, 1992

Master of Architecture / The period under consideration saw the growth and fruition of a radical approach to architectural design in the Government Architect's Branch of the New South Wales Public Works Department. High aesthetic standards were set: the application of these standards in an atmosphere of enthusiastic dedication produced a new, vital architectural expression for the public buildings of New South Wales. The quality of the Government Architect's work brought the Branch to the forefront of the architectural profession, whence it exerted a beneficial influence on many private practitioners. E.H. Farmer, the Government Architect of the period, gained the high respect of his peers and in 1972 he was awarded the R.A.I.A.'s Gold Medal - the highest honour which can be bestowed on a member. The early chapters of this study describe, in broad chronological order, the developments which took place in the Government Architect's Branch. Mention is also made of the influence which many leading architects, as well as other professionals, had on the Branch's design work. In later chapters the buildings designed by the Branch are classified into broad use-types and each type is then examined in chronological order. While this method of analysis necessitates some back-tracking and repetition, it provides a better understanding of the evolution of the various building types than would be provided by a broader survey. The appendices include a chronological list of significant events, in precis form, for convenient reference. Apart from a few short papers on specialised subjects, there has been no comprehensive documentation of the history of the Government Architect's Branch during the period being examined. Consequently the story of the Branch's development has been pieced together from interviews with many people who were members of the Government Architect's Branch during this period. Some accounts of events have appeared conflicting. It is natural that individual comment may be unintentionally biased. Every effort has been made by the author to present an accurate and balanced assessment. E.H. Farmer delivered the Hook Memorial Address on 11th May, 1973. In the course of this address the beliefs which contributed to his leadership of the Branch were succinctly revealed: "...if the voioe of the architect goes unheeded, humanity is that much closer to the abyss."

Thesis (M.A.)--Fuller Theological Seminary, 1988. / Vita. Includes bibliographical references (leaves 143-150) and index.

Pikillacta, Huaro and the Greater Cuzco Region: New Interpretations of Wari Occupation in the Southern HighlandsOver the last two decades, significant advancements have been made in Wari studies, resulting primarily from investigations conducted in provincial regions that have elucidated new perspectives on Wari imperial expansion. This paper focuses on contributions made in the southern highlands Cuzco region, with particular emphasis on research carried out at the monumental sites of Pikillacta and Huaro. On the basis of their research, the authors offer a new interpretation of the Wari occupation of Cuzco, that it was earlier; more intense, and endured much longer than previously thought, and that the mechanism for its success was direct Wari imperial control. / Durante las últimas dos décadas han habido avances significativos en los estudios wari, como resultado de las investigaciones conducidas en las regiones provinciales. De esos estudios se han elucidado nuevas perspectivas sobre la expansión imperial de los wari, dándosele mayor énfasis a las investigaciones realizadas en los sitios monumentales de Pikillacta y Huaro. Basados en sus investigaciones, los autores han concluido que la ocupación wari fue más temprana, más intensa y de más larga duración que lo que previamente se impuso y plantean que su éxito se debió en gran parte al control directo del gobierno imperial de los wari.

This study analyses the history of a large hydroelectric scheme – the Great Ruaha power project in Tanzania. The objective is to establish why and how this specific scheme came about, and as part of this to identify the key actors involved in the decision-making process, including the ideological contexts within which they acted. Although the Tanzanian actors and the World Bank (IBRD) are discussed, main focus is on the Swedish actors on project level.Kidatu, the first phase of the Great Ruaha power project (constructed between1970-1975), became the first large-scale hydropower station in Tanzania. As such, it paved the way for Tanzanian entrance into the Big Dam Era and significant changes within the Tanzanian landscape. As well as the dry river bed at Kidatu, and the small reservoir that precedes it, the Great Ruaha power project also involved the creation of a huge artificial lake, the Mtera reservoir. The Kidatu hydropower station was the first large undertaking within Swedish bilateral aid, and implied the takeover of control of hydropower construction in Tanzania by Swedish enterprises, replacing the enterprises of the former colonial power. A hydropower plant is a complex technoscientific artefact. The construction of a hydropower plant is preceded by a large number of technological choices, scientific prestudies and estimations of costs and revenues. A hydropower plant is also a complex social creation, and is as such filled with social actors engaged in conflicts, compromises and power structures. The decision to construct Kidatu hydropower station was a result of negotiations and activities within what is called “development assistance”. This brings in yet another dimension, the political one, involving export and import of technology, foreign capital, and foreign influence in decision-making processes, as well as ideas about how to bring development and progress to a people supposed to be living in “poverty and misery”. The study is divided into three main parts. The first part analyses the context of Swedish development assistance in the support to the construction of hydropower plants. This part discusses Swedish state-supported hydropower exploitation of indigenous people’s territory within Sweden’s borders in the 20th century and the background of Swedish development assistance, from the 1950s to the early 1960s. The second part analyses the event of Swedish development assistance entering Tanzania and the Great Ruaha power project, with the main focus being on the period 1965 – 1970. The third part is an analysis of the technoscientific basis for the decisions taken to implement the Great Ruaha hydropower scheme. Main focus is on the period 1969-1974, discussed against the backdrop of precolonial and colonial studies. While focus is on the 1960s and 1970s, in both part two and three events in the 1980s and 1990s are discussed. The study shows that although Sweden was not a colonial power in Tanzania, colonial imagery, and relations to the colonial era, as well as Sweden’s background of internal colonialisation, exerted an influence on the decision-making process and the actors involved in the Great Ruaha power project.The study is mainly based on archival sources, complemented with oral sources from Tanzania and Sweden. Recognizing the complexity of large-scale hydropower and the attempts to control watercourses that large scale hydropower necessitates, in the specific context of decolonisation and development assistance that the decision-making process behind the Great Ruaha hydropower scheme reveals, the analysis of the actors involved is based on feminist and postcolonial perspectives. / QC 20100825

Thesis (M.C.A.-Res.)--University of Wollongong, 2007. / Typescript. Includes bibliographical references: leaf 49-54.