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1	Columns on the march : Montreal newspapers interpret the Spanish Civil War 1936-1939 Charpentier, Marc, 1965- January 1992 (has links) This thesis examines Quebec public opinion towards the Spanish Civil War. It is based on a systematic analysis of editorials and articles from ten Montreal-based newspapers, representing divergent points of view. It suggests that, contrary to the popular interpretation, Quebec francophones did not unanimously support General Franco during the war; nor did all of the province's anglophones endorse the cause of the Spanish Popular Front. Support for General Franco and the Spanish Republic in Montreal transcended linguistic lines, and cleavages other than language, such as religion, ideology and social class, influenced public opinion towards the war.
2	Columns on the march : Montreal newspapers interpret the Spanish Civil War 1936-1939 Charpentier, Marc, 1965- January 1992 (has links) No description available.
3	British combatant writers of the Spanish civil war Heywood, David January 1988 (has links) No description available.
4	British combatant writers of the Spanish civil war Heywood, David January 1988 (has links) No description available.
5	Dos polos de la realidad en la obra de Ana María Matute Lefebvre, Marie Marthe Jeanne Céline. January 1976 (has links) No description available.
6	Dos polos de la realidad en la obra de Ana María Matute Lefebvre, Marie Marthe Jeanne Céline. January 1976 (has links) No description available.
7	La ley de memoria histórica en el cine y la novela españoles Kennedy, Tara L 12 1900 (has links) This thesis investigates the Spanish identity crisis through structural, political and representational intersectionality by means of the Law of Historic Memory, also known as LEY 52/2007 del 26 de diciembre. This work, written in Spanish, explores relational aspects of various contemporary themes within four post-Franco novels and four Spanish films: Réquiem por un campesino español by Ramón J. Sender and its corresponding film directed by Francesc Betriu; Soldados de Salamina by Javier Cercas and its corresponding film directed by David Trueba; La voz dormida by Dulce Chacón and its corresponding film directed by Benito Zambrano; and Los girasoles ciegos by Alberto Méndez and its corresponding film directed by José Luis Cuerda. Linked by a variety of human elements that affect the individual as much as the collective, the works explore sacrifice, betrayal, indifference and injustice. Each novel and movie pair offers a glimpse of individual memory that, at the same time, belongs to collective memory. Delving into the effects of LEY, this thesis considers the role of the Catholic Church, the general atrocities of war, the role of women in the Spanish Civil War, and the fractured family unit. Lastly, this thesis delineates how these effects apply to the healing of individual and collective memories so as to recover what it means to be Spanish. La ley de memoria histórica Spain -- In literature. Spain -- In motion pictures. Spain. Ley de la memoria histórica. Spain -- History -- 20th century. Catholic Church -- Spain. Families -- Spain.
8	The remaking of the Spanish labour movement : social change, urban growth and working class militancy, Barcelona, 1939-1976 Balfour, Sebastian Michael January 1987 (has links) No description available. 946.082
9	Perceptions of Spain and the Spanish, and their effect on public opinion in Britain at the outbreak of the Spanish Civil War Lyne, Kay January 1995 (has links) No description available. 946.081
10	British apologists for Franco, 1936-1939 LeMaitre, Alfred January 1987 (has links) No description available. Public opinion -- Great Britain

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