The passions aroused by the Spanish Civil War have yet to recede. The extensive literature that has been produced and continues to be published testifies to this fact. From the outset of the war in Spain, numerous European countries actively participated in the Spanish conflict. However, Soviet military "aid" to the Republican government "has provoked more questions, mystification and bitter controversy than any other subject in the history of the Spanish Civil War."1 Although the Spanish Civil War took place almost 70 years ago, and the intervention or non-intervention of many countries in Spain is well documented, Soviet involvement remains an "enigma". Little is known of Stalin's motives in Spain and even less information has emerged on the Spanish gold reserves that were sent to the USSR. This dissertation attempts to come to terms with both of these questions and, with the help of new documentation, challenge previously-held assumptions regarding Soviet foreign policy in Spain. / 1Gerald Howson. Arms for Spain: The Untold Story of the Spanish Civil War. (New York: St Martins Press, 1998), 119.

Orientador: Luzia Margareth Rago / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-09T05:41:24Z (GMT). No. of bitstreams: 1 Biajoli_MariaClaraPivato_M.pdf: 1772890 bytes, checksum: b7d9555f870a316493b3dda93cc32584 (MD5) Previous issue date: 2007 / Resumo: Este trabalho analisa os relatos de memória de algumas mulheres que militaram no movimento anarquista feminino espanhol do grupo Mujeres Libres, que esteve ativo durante a Guerra Civil Espanhola (1936-1939). Focaliza as entrevistas, os livros, e documentários produzidos por elas, especialmente nas décadas de 1980 e 1990, sobre aqueles acontecimentos na Espanha e suas experiências. Pergunta de que forma se dá essa rememoração, que guarda fortemente as marcas do tempo presente, e ainda de que forma esses acontecimentos e essas memórias contribuíram na construção de suas subjetividades como mulheres anarquistas, após cinqüenta anos ou mais da derrota para as forças franquistas em 1939 / Abstract: This work analises the narratives of memory of some women who participated at the Spanish anarchist and feminist movement of the group ¿Mujeres Libres¿, which was active during the Spanish Civil War (1936-1939). It focuses on the interviews, books and documentaries that have been produced by these women, especially at the 1980s and 1990s, about those events and their experiences. It asks about how this work of memory happens, which keeps strong marks of the present, and how this memories contribute to the construction of their subjectivities as anarchist women, even fifty years ou more after the defeat to the franquist army in 1939 / Mestrado / Historia Cultural / Mestre em História

This thesis will demonstrate that the British leaders saw the policy of non-intervention during the Spanish Civil War as the best option available under the circumstances, and will also focus on the role of the Royal Navy in carrying out that policy. Unpublished sources include Cabinet and Admiralty papers. Printed sources include the Documents on British Foreign Policy, newspaper and periodical articles, and memoirs. This thesis, covering the years 1936-37, is broken down into six chapters, each covering a time frame that reflected a change of policy or naval mission. The non-intervention policy was seen as the best available at the time, but it was shortsighted and ignored potentially serious long-term consequences.

No description available.

No description available.

Silenced for almost half a century, testimonies of those who lost the Spanish Civil War are now surfacing and being published. The origin of this dissertation was the chance discovery that Martín Herrera de Mendoza, a Spanish Civil War exile living in the United States, was truly a Catalonian anarchist named Antonio Vidal Arabí. This double identity was a cover for the political activist dedicated to the fight for change in the anarchist workers’ union CNT (National Confederation of Workers) and the FAI (Federation of Iberian Anarchists). He founded the FAI chapter in Santa Cruz de Tenerife and planned a failed assassination attempt on General Franco’s life in an effort to avoid the military takeover in 1936. This dissertation is the reconstruction of Antonio Vidal Arabí’s life narrative. It is based on the texts written during his seventeen-month stay as a refugee in Great Britain. Copies of his writings were left in a suitcase with a fellow anarchist who he instructed to have sent to his family upon his death. In 1989, “The English Suitcase” was delivered to his children in Barcelona. Based on his own account, this study follows his service as an intelligence agent for the Spanish Republic during the War. When it was over, he attempted to evacuate his family from France, to save them from the threat of the Nazi invasion and reunite with them in England or America. The analysis of the letters he wrote to his wife and children in France documents how he hid from Franco’s spies using his dual identity. In his letters, always signed as Martín Herrera de Mendoza, he invents a persona in order to help his family. The present study narrates his transformation into the persona he created and the events that brought about his translation into his “other.” Antonio Vidal Arabí’s bilinguism and biculturality is underlined as the main factors in his change into Martín Herrera de Mendoza. His was a voyage into exile documented by his own words; a story of survival and reinvention. / Includes bibliography. / Dissertation (Ph.D.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

Spanish Republican philosophers in exile defended the Second Republic, legally proclaimed on April 14, 1931. They embraced the anti-fascist cause rising in the 1920s and the 1930s in Europe. During the Civil War, which lasted three years, they stood among the people. 1939 saw the victory of General Francisco Franco, supported by Nazi Germany and the Italy of Mussolini. Threatened with death, they had no choice but to escape from Spain. Some intellectuals experienced French concentration camps but, for the most part, they found refuge in Latin America, especially in Mexico and Venezuela. In exile, they swore to remain loyal to the Second Republic and to the spirit of the Spanish people. Moved by liberal views and humane ideals, these philosophers belonged to the vanquished, as those everywhere in Europe who rose against Fascist barbarity. As a result, their respective works are still widely unknown today – despite relentless efforts made to promote their thought to a larger audience for over half a century. In addition to the historical context of crisis during the interwar period, the situation of Spanish philosophy itself is suggestive. Indeed, Spanish philosophy was institutionalised at the beginning of the twentieth century only: the Schools of Madrid and Barcelona were created. These politics of cultural and intellectual renovation are first bestowed upon the generation of philosophers I study, born in the 1900s. When the Spanish War erupts, they had become professionals of international recognition. This shows the actual limits of academic philosophy, incapable of acknowledging unorthodox ways of philosophising. The experience of exile itself serves in my opinion as a catalyst: Spanish Republican philosophers in exile seek emancipation from academic conventions to philosophise freely; that is, in Spanish and according to the spirit of the people. No doubt “poetic reason” – the true invention of Spanish Republican exile – stems from this ideal of autonomous thinking.

Thesis (MPhil (Journalism))--University of Stellenbosch, 2009. / There are certain images of war that are horrific, frightening and at the same time, due to an outstanding compositional structure, they are fascinating and do not allow its observers to keep their distance. This thesis examines three images of war that have often been described as icons of war photography. The images “children fleeing a napalm strike” by Nick Ut, “the falling soldier” by Robert Capa and Sam Nzima’s photograph of Hector Pieterson are historical reference images that came to represent the wars and conflicts in which they were taken. It has been examined that a number of different factors have an impact on a war photograph’s awareness level and its potential to commit itself to what is referred to as collective consciousness. Such factors are the aesthetical composition and outstanding formal elements in connection with the exact moment the photograph was taken, ethical implications or the forcefulness of the event itself. As it has been examined in this thesis, the three photographs have achieved iconic status due to different circumstances and criteria and they can be described as historical reference images representing the specific wars or conflicts. In this thesis an empirical study was conducted, questioning 660 students from Spain, South Africa and Vietnam about their awareness level regarding the three selected photographs. While the awareness level of the Spanish and the South African image was rather high in the countries of origin, they did not achieve such a high international awareness level as the Vietnamese photograph by Nick Ut, which turned out to be exceptionally well-known by all students questioned. Overall, findings suggest that the three selected icons of war photography have been anchored in collective memory. Ut, Robert Capa, Sam Nzima, semiotics, Spanish Civil War, the falling soldier, Vietnam War