The aim of this thesis "Theology of Labour of St. John Paul II." is to summarize John Paul II.'s theological view of human labour, its impact on Christian spirituality and evangelization and pastoral efforts of the church. There is also attention paid to influence of his theology on further social magisterial texts. At the end, there is a reflection of impacts of this teaching to everyday economic and political life. The thesis is based on magisterial documents of John Paul II., especially on the encyclical Laborem exercens and his two further social encyclicals, Sollicitudo rei socialis and Centisimus annus. Other inspiring ideas come especially from reflections on St. Joseph and from the theology of body. There is a discussion on relation of human labour to the Mystery of The Holy Trinity, on perichoretical and sharing character of human labour. As a part of discussion on spirituality, there is the work state of life defined as analogy to Christian state of life. Human labour is a key to the social question, it is a tool for our salvation and therefore the mission of the church. Keywords St. John Paul II., Theology of Labour, Human Labour, Spirituality of Labour, Ethics of Labour, Wage Labour, Labour Capitalization, Labour Rights, Dignity of Human Labour, Sharing Economy

The subject of this diploma thesis are medieval murals from the first half of the 14th century in Annin, Kasperske Hory and Strakonice. The thesis is focused primarily on detailed analysis of wall paintings, iconographic and stylistic evaluation in national context and context of neighboring countries. then the summary of the cultural and historical circumstances of origin of the paintings in a defined region together with a partial evaluation of period significance of the Prachen region. Cultural and historical circumstances are also put into context with regional patronage. Another objective of these thesis is to identify issues that require further research, especially in the field of iconographic identification of the particular scenes, and setting the paintings in the broader European context. The conclusion then revise relations of the paintings to Germany and Austria and evaluation of the importance of these areas as intermediary regions in the transfer of stylistic incentives.