Thesis (Ph. D.)--University of Rochester, 1957. / V. 2: Musical examples. Bibliography: leaves 237-240. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/6096

Thesis (M.M.)--University of Florida, 2004. / Title from title page of source document. Document formatted into pages; contains 77 pages. Includes vita. Includes bibliographical references.

Thesis (M.A.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / Charles Villiers Stanford (1852-1924) was a prolific composer and a renowned teacher in his own day. He headed the composition department for many years at the Royal Collage of Music in Cambridge and he had as his students such men as Gustav Holst and Ralph Vaughan Williams. His music and influence were widely known in England at the turn of the century, yet today he is virtually unknown in this country; those who know him at all remember him primarily for his Irish Rhapsody. In England, too, he has suffered a serious decline in popularity. According to Sir Jack Westrup, about the only Stanford works ever performed there are his Songs of the Sea and The Revenge [TRUNCATED] / 2999-01-01

Diss.--Berlin, 1995. / Bibliogr. p. 194-207.