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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

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Grob, Elisabeth Cornelia. January 1980 (has links)
Diss.--Literaturwissenschaft--Zürich. / Bibliogr. p. 99.
12

Re-Envisioning an Eighteenth-Century Artifact: A Postmodern Reading of Tristram Shandy

Burns, Anthony Louis 08 1900 (has links)
The interjection of a new and dynamically different reading of Lawrence Sterne’s Tristram Shandy is imperative, if scholars want to clearly see many of the hidden facets of the novel that have gone unexamined because of out-dated scholarship. Ian Watt’s assumption that Sterne “would probably have been the supreme figure among eighteenth-century novelists” (291) if he had not tried to be so odd, and the conclusion that he draws, that “Tristram Shandy is not so much a novel as a parody of a novel” (291), is incorrect. Throughout the thesis, I argue that Sterne was not burlesquing other novelists, but instead, was engaging with themes that are now being examined by postmodern theories of Jacques Derrida, Michel Foucault, and Jean François Lyotard: themes like the impenetrability of identity (“Don’t puzzle me” (TS 7.33.633)), the insufficiency of language (“Well might Locke write a chapter upon the imperfections of words” (5.6.429)), and the unavailability of permanence (“Time wastes too fast” (9.8.754)). I actively engage with their theories to deconstruct unexamined themes inside Tristram Shandy, and illuminate postmodern elements inside the novel. However, I do not argue that Tristram Shandy is postmodern. Instead, I argue that if the reader examines the novel outside of its usual context inside the eighteenth-century novel, there are themes that are apparent in the narrative which have gone unexamined because of the way it has been classified inside academia, and that postmodernist theory allows for these themes to be re-examined in the postmodern culture in which we now reside.
13

LAURENCE STERNE AND SENTIMENTALISM

Rosowski, Susan J. January 1974 (has links)
No description available.
14

Die Organisation der Sinne Wahrnehmungstheorie und Ästhetik in Laurence Sternes Tristram Shandy

Hopmann, Erika Sophie January 2005 (has links)
Zugl.: Berlin, Freie Univ., Diss., 2005/2006
15

A bookseller's hobby-horse and the rhetoric of translation Anthony Ernst Munnikhuisen and Bernardus Brunius and the first Dutch edition of 'Tristram Shandy' (1776-1779) /

Zwaneveld, Agnes Maria. January 1900 (has links)
Thesis (Ph. D.)--University of Amsterdam, 1996. / Includes bibliographical references (p. 217-[232]) and index.
16

Wit and sentiment : the spirit of Shandeism in a speechless world /

Lockard, Amber Marie. January 2007 (has links)
Thesis (Honors)--Liberty University Honors Program, 2007. / Includes bibliographical references. Also available through Liberty University's Digital Commons.
17

A bookseller's hobby-horse and the rhetoric of translation Anthony Ernst Munnikhuisen and Bernardus Brunius and the first Dutch edition of 'Tristram Shandy' (1776-1779) /

Zwaneveld, Agnes Maria. January 1900 (has links)
Thesis (Ph. D.)--University of Amsterdam, 1996. / Includes bibliographical references (p. 217-[232]) and index.
18

Swift, Sterne and wise foolishness

Hotch, Douglas Ripley, January 1969 (has links)
Thesis (Ph. D. in English)--University of California, Berkeley, Sept. 1969. / Includes bibliographical references (leaves 244-247).
19

Laurence Sterne and his novels studied in the light of modern psychology

Froe, Arie de. January 1900 (has links)
Proefschrift - Amsterdam. / "Stellingen": 2l. laid in. Bibliography: p. [232]-234.
20

Médecins et médecine dans l'oeuvre romanesque de Tobias Smollett et de Laurence Sterne : 1748-1771 /

Labrude Estenne, Jacqueline. January 1995 (has links)
Th. Etat--Lettres--Paris 3, 1992.

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