Texte remanié de: Diss.--Philosophie--Köln, 2003. / Bibliogr. p. 197-204. Index.

Diss.--Fribourg en Brisgau, 1989/90. / Bibliogr. p. 181-182. Index.

Zugl.: Köln, Univ., Diss., 2008

Thesis--Helsinki. / Added t.p., with thesis statement, inserted. Bibliography: p. 227-228.

Diss.--Phil. Fak.--Cologne, 1988. / Contient la liste des oeuvres de K. Stockhausen. Bibliogr. p. 259-262. Index.

Zugl.: Wuppertal, Univ., Diss.

This project has investigated Karlheinz Stockhausen's compositions STOP and Adieu from a primarily analytical perspective. Because the notational paradigms dictate an experimental attitude, the project has been approached in this manner. The resulting analyses have provided information concerning the pitch materials utilized and the formal constructions of these two compositions.The results obtained from the analyses were subsequently applied in performance practice. These performances of STOP and Adieu were compared with the expectations predicated by the compositions and a determination was made as to their relative successfulness. / School of Music

Zugl.: Wuppertal, Univ., Diss.

An overview on a highly intertwined generative system through Stockhausen's late piece Lichter - Wasser (1998-1999). Lichter - Wasser is a work that constantly attempts to conjugate the contemplation and the paroxism of an ur-element, the so called super formula, with the long sought utopia of the infinite progress of perception faculties (a journey formally began in 1955 with Stockhausen's composition Gruppen, for three orchestral groups).

Dissertation (D.M.A.)--The University of North Carolina at Greensboro, 2009. / Directed by John Salmon; submitted to the School of Music. Title from PDF t.p. (viewed May 17, 2010). Includes bibliographical references (p. 47-48).